Paul Sorel

Portrait of a Young Man in Striped Shirt

1964

Mid century portrait of a clown by Marjorie Blake (American, 1920-1994). Signed "Blake" in the lower left corner. Unframed. Marjorie May Gulley Blake w...

Pair of two vintage portraits of Native American figures, one older and one younger, in profile with braids and headdresses by Victor S. ...

Portrait of a young woman in an elegant white dress by Antonio Sotomayor (Bolivian, 1902-1985). Signed "Sotomayor" in the lower left corner. Presented in a wood frame. Image size: 30.25"H x 25.25"W Antonio Sotomayor (Bolivian, 1902-1985) was born in Chulumani, Bolivia on May 13, 1902. Sotomayor began his art studies in La Paz under Belgian master Adolf Lambert and by age 15 was contributing illustrations to Bolivian periodicals. After settling in San Francisco in 1923, he continued his art training at the CSFA. He was soon busy illustrating newspapers, magazines, and books. His caricatures appeared in the San Francisco Chronicle, Life, and others. He taught art at Mills College in Oakland (1942-43) and at the CSFA (1946-50). Sotomayor contributed greatly to California art for over 60 years until his death in San Francisco on Feb. 10, 1985. Member: SFAA; Bohemian Club. Exh: over 80 solo shows in U.S. and abroad; SFMA, 1935. Awards: SF Art Festival prize, 1959; Award of Honor, SF Art Commission, 1978. In: SFMA; Mills College; Pasadena Museum; IBM; San Diego Museum; Newark Museum; Museo de La Plata (Argentina); Hillside Methodist Church, San Mateo (glass-mosaic facade); St Augustine's Church, Pleasanton, CA (reredos); Grace Cathedral, SF (murals); Sheraton Palace Hotel, SF (murals); Peruvian Embassy in Washington, DC (murals done for the Peruvian Bldg at the GGIE); Treasure Island, SF (36'x48' terra cotta...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

Mid century portrait of a woman with pearls and a blue shirt by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with ...

Beautiful impressionist mid-century portrait of a woman in a garden setting by Philadelphia artist Sol Jasner (American, 20th Century). The woman has short hair and is wearing a lovely lavender colored blouse, and she is surrounded by lush greenery with a cluster of grapes growing on the vine in the background. Signed "Sol Jasner" on verso. Unframed. Canvas size: 18"H x 24"W. A mid-century Philadelphia artist and art educator active in the 1960’s, Sol Jasner taught art classes alongside his contemporary Philadelphia artist Martin Zipin.

Josep Lloveras Feliu (1922-2014) - Woman guitarist - Oil on canvas Oil measures 54x65 cm. Frame measures 74x85 cm.. Josep Lloveras y Feliu, was a paint...

Antoni Vidal Rolland (1889-1970) - Reading a love letter - Oil on canvas Oil measures 55x46 cm. Frame measures 76x67 cm. Disciple of José Ruiz Blasco in Lonja and of Aleix Clapés. H...

Joan Palet (1911 - 1996) - Female figure - Oil on canvas Oil measures 46x38 cm. Frame measures 70x62 cm. Joan Palet was born in Barcelona on March 28, 1911 in a family of sculptors ...

Charming mid-century modern profile portrait of a girl in a red dress. Oil on canvas painting signed Hedy. Beautiful piece with deep blues and reds. Set in a frame 17 wide by 20 inch...

"Anticipation" Oil painting 39" x 39" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has notabl...

An impressive and masterful depiction of a young woman with a fan. An American artist who studied and traveled in Europe and painted this painting before his return. It has its original frame which is magnificent. The frame has been regilded in th past 10 years. Vinton was abroad in the 1880s. The sitter gazes coyly over her fan in a gesture that ladies and gentleman of fin-de-siècle Europe would have understood to mean “wait for me,” and perhaps indicating her interest in a potential suitor. Vinton embarked on several trips to Europe—to Spain in 1882 with William Merritt Chase and Robert Blum, and to several different countries in 1888 following his marriage—which provided inspiration for a renewed style and subject matter. While in Spain with Chase and Blum, the three artists visited Madrid and Toledo; there, Vinton studied the masterfully tenebrous portraits of Velázquez, an influence that can be seen in Portrait with Yellow Shawl...