Roberto De Francisci

Woman From Sciacca - Oil Painting by Roberto De Francisci - 2010s

2010s

Oil on board realized by Achille Sdruscia  between 1960s and 1970s. Hand signed. Includes a wooden frame cm. 53x43 Very good condition.

Oil on canvas realized by Marco Fariello in 2023, depicting a dominican woman. Excellent condition. Certificate of authenticity by the Artist.

Portrait of Sasha is an artwork realized by Laura D'Andrea in 2018. Oil on canvas. This artwork was realized by the Italian artist Laura D'Andrea. Laura D’Andrea is an Italian ar...

Oil on canvas realized by Giorgio Scalco in 1983. Hand signed and dated. Titled on rear. Includes a wooden frame cm. 45x70. Very good condition.

Portrait of Young woman - Ciro De Lucia Italia 2002 - Oil on canvas cm. 50x40. The painting by the painter Ciro De Lucia depicts a portrait of a young woman of the people, he is inspired by Neapolitan painting...

Artist: Ramon Santiago, American (1943 - 2001) Title: Portrait of a Young Girl Year: 1970 Medium: Oil on Canvas, signed and dated Size: 24 x 20 inches

Senza Titolo 4 Oil Paint on Copper Portrait In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, ...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...