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After Samuel Woodforde RA (1763-1817) - Late 19th Century Oil, Wood-Nymph

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This accomplished watercolours is a fine copy of John Downman's portrait of Sarah Siddons. Painted in the early 19th century, watercolours was a contempo...

A wonderful 19th-century oil portrait of a graceful Victorian lady. The lady is pictured with a dainty lace collar and a neat hairstyle typical of the time. Signed illegibly in penci...

An elegant coloured chalk portrait of Elizabeth Farren. Presented in an attractive oval frame with delicate running patterns. Signed 'Caste' to the lower right. After Sir Thomas Lawr...

A beautifully executed, Regency era portrait of an older woman in a lace mob cap. She is sporting the tight curls around her face, typical of this...

Portrait of Anna Maria Porter, early 19th Century attributed to THOMAS BARBER (1768-1843) Early 19th century portrait of Anna Maria Porter, oil on canvas attributed to Thomas Porte...

This charming British Old Master Regency pastel portrait is attributed to John Russell RA. Painted circa 1790 the composition is a blonde woman in pretty mob cap with a blue ribbon. A really lovely image. Provenance. Oxford estate. Condition. Oil pastel on paper, 23 inches by 19 inches unframed and in good condition but has line in paper in middle. Frame. Housed in a fine frame, 30 inches by 26 inches framed and in good condition. John Russell RA (1745-1806) was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques. Russell was born in Guildford, Surrey, the son of John Russell Snr., book and print seller and five times mayor of the town; his father was something of an artist, and drew and published two views of Guildford. Russell was educated at the Royal Grammar School, Guildford, and soon showed a strong inclination for art. He trained under Francis Cotes RA (of Cavendish Square, London), one of the pioneers of English pastel painting, and, like Cotes, was an admirer of the pastel drawings of Rosalba Carriera whose methods influenced his technique of "sweetening". At the age of 19 he converted to Methodism, which was the cause of tension with his family and with his teacher; he made no secret of his strong evangelical leanings and would attempt to preach and convert at every opportunity. Russell set up his own studio, in London, in 1767. He made the acquaintance of the notorious Dr. William Dodd, whose portrait he painted in 1768. He was introduced to Selina, Countess of Huntingdon, who unsuccessfully attempted to persuade him to give up painting and attend her Methodist ministers' training college at Trevecca in Wales. On 5 February 1770, he married Hannah Faden, daughter of a Charing Cross print and map seller...

This lovely British Old Master portrait oil painting is painted in the manner of Sir Henry Raeburn. Painted circa 1800, the sitter is Anne Neale Tucker Lauzun. She was born in St Geo...

Oil on canvas from the Directoire period in an oval shape representing a young woman wearing a pink ribbon and represented in a landscape in which we can distinguish a tree, at sunse...