
Portrait of Young Man in Blue
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Vito TomaselloPortrait of Young Man in Bluec1940s
c1940s
About the Item
- Creator:Vito Tomasello (American)
- Creation Year:c1940s
- Dimensions:Height: 30 in (76.2 cm)Width: 20 in (50.8 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU24521194883
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Sylvia Bernstein (1918-1990). Portrait of a Young Woman, ca. 1960. Gouache on paper, image measures 9.5 inch h.., 10 inches w. ; 17 x 17 inches framed measurement. Signed lower right. Excellent condition.
Born : New York City
Education : National Academy of Design
Exhibits (group)
Juried Shows at : Allied Artists; Audubon Artists; National Society of Painters in Casein; Hudson River Museum; Butler Institute of American Art; Portland Summer Art Festival; Columbia Painting Biennial; Columbia Museum; Riverside Museum; Brick Store Museum; First National Exhibition of American Art, Chautauqua, New York; New York City Center; Pennsylvania Academy of Fine Arts; Philadelphia Watercolor Annual; Brooklyn Museum International Watercolor Exhibition; Art-USA; J & M Ringling Museum; 9th Annual American Watercolor Traveling Show; Whitney Museum of American Art; Parrish Museum; American Academy of Arts and Letters; Wadsworth Atheneum.
Solo Exhibits
1956 Ruth White Gallery; 1959 Ruth White Gallery; 1959 Silvermine Guild of Artists; 1960 Ruth White Gallery.
Awards :
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Provenance: estate of the artist.
Artist statement:
Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple.
My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself.
Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”.
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1953 until 1962
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