Vlaho Vlacho Bukovac

"Portrait of a Lady, " Vlaho Bukovac, Croatian Artist

Frederick William Macmonnies Marion Jones Farquhar, 1905-11 Oil on canvas 24 x 20 inches Provenance: William Clerk Private Collection, New York Literature: Mary Smart, A Flight with Fame: The Life and Art of Frederick MacMonnies, with a Catalogue Raisonne of Sculpture and a Checklist of Paintings by E. Adina Gordon, Madison, Connecticut, 1996, no. 90. The work depicts Marion Jones Farquhar who, was an American tennis player who competed during the late 19th century and early 20th century. She won the singles titles at the 1899 and 1902 U.S championships and was the first American woman to medal at the Olympics placing Bronze in singles. Additionally, she was the artist's sister-in-law who often played and competed with MacMonnies in golf and tennis. MacMonnies would often study the movements of her form referenced in his sculpture. When MacMonnies won a doubles golf tournament he said "Marion dragged my dead weight thro' and won us the tournament, showing what great Generalship can do." A sculptor of classical figures, American-born Frederick MacMonnies had fame in the United States and Europe in the later half of the 19th century and early 20th century. He occasionally returned to America but lived most of his life as in expatriate in France. He was especially known for his lithe bronze figures, especially ones titled Diana. The classical names of these figures allowed him the appearance of propriety but gave him the opportunity to model svelte nudes. Frederick MacMonnies was one of the first American sculptors to recognize the potential market of the middle class. He copyrighted his works and then contracted with foundries to mass produce some of his figures such as Diana in smaller sizes. MacMonnies was born in Brooklyn, New York, and was a child prodigy at carving stone. At age 18, he worked in the studio of Augustus Saint-Gaudens, and then persuaded him to become his assistant, keeping models damp and covered, running errands, and cleaning the studio. Evenings he studied at the Art Students League, Cooper Union, and the National Academy of Design. In Saint-Gaudens' studio, he met many of the wealthy people who shared Saint-Gaudens Beaux-Arts based ideas that art and architecture should be unified in order to create public art in America equal to that of classical antiquity or Renaissance Europe. Among the men that MacMonnies met through Saint-Gaudens who later furthered his career were architects Stanford White and Charles McKim...

Lilian Westcott Hale Portrait of a Lady (Study for Harriet Blake) Oil on canvas 40 ¼ x 30 ¼ inches A leading American Impressionist working at t...

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

Isabella Howland Portrait of a Woman, Paris, 1925 Oil on canvas laid on board 19 1/2 x 16 1/2 inches Provenance: Hammer Galleries, New York Private C...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

This stunning large portrait oil painting is by noted Austrian portrait painter Eduard Veith. Painted circa 1890 it is a standing three quarter length portrait of an elegant lady fro...

A lovely portrait of a turn-of-the-century elegant woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in north...

Portrait of an Elegant Beauty French Impressionist painter, circa 1890s signed indistinctly oil on canvas, framed framed: 28 x 23 inches canvas: 24 x 20 inches provenance: private c...