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Sandra Cohen“Hi-hat Kabbalah”, abstract, nude, music, pink, green, blue, acrylic painting2015
2015
About the Item
Sandra Cohen’s “Hi-hat Kabbalah” is a 30 x 24 x 1.5 inch acrylic painting on canvas, painted loosely in a light spring palette of blue, green, pink, and white, with sharp concentric circles fading into the center from the top. Where sky meets water in this abstract landscape, there is a glimpse of a reclining female nude figure. This painting is unframed with white painted sides, and the signature is on the back.
Sandra Cohen’s dreamlike painting and mixed media work explores the paradoxical nature she finds everywhere. Cohen layers a constantly shifting ground of memory with snippets of lyrics, invasive ‘earworms’, and the human tendency to create order from chaos. Music is intimately entwined with memory for Cohen, who has been a performing musician and songwriter. She also has a deep interest in science, especially the concepts of modern physics. Using techniques that vary from wet to dry and tight to loose, and processes that may weave between digital and tactile, the act of creating the work also reflects what she hopes emerges: glimpses of a true/false spectrum wavering into being as lustrous, rhythmic, and often darkly humorous hybrids. Cohen is represented by Fountain Street Gallery in Boston, MA.
- Creator:Sandra Cohen (1962, American)
- Creation Year:2015
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Cohen_high-hat kabbalah1stDibs: LU500314231422
Sandra Cohen
Sandra Cohen’s dreamlike painting and mixed media work explores the paradoxical nature she finds everywhere. Cohen layers a constantly shifting ground of memory with snippets of lyrics, invasive ‘earworms’, and the human tendency to create order from chaos. Music is intimately entwined with memory for Cohen, who has been a performing musician and songwriter. She also has a deep interest in science, especially the concepts of modern physics. Using techniques that vary from wet to dry and tight to loose, and processes that may weave between digital and tactile, the act of creating the work also reflects what she hopes emerges: glimpses of a true/false spectrum wavering into being as lustrous, rhythmic, and often darkly humorous hybrids. Cohen is represented by Fountain Street Gallery in Boston, MA.
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