Stevan Dohanos

Tying Flies, Post Cover

1950

Medium: Oil on Canvas Signature: Signed Lower Right Ladies Home Journal Story Illustration, April 1931 "The Easter Candle" by Dagvar

Original advertisement for JAX Beer (Jackson Brewing Company, New Orleans, LA), circa 1940s. In this autumnal scene, a hunting party is enjoying JAX beer at their campsite when a bu...

Medium: Oil on Canvas Signature: Signed Lower Right Watching Over Them, Brown & Bigelow illustration

Man and woman examining a jug. Signed lower right Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum,...

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

Nude woman is an artwork attribuited to Edgar Stoebel (1909-2001).  81 x 45 cm; no frame. Oil painting on canvas. Good conditions. 

The Witch of Endor conjures up the specter of Samuel in front of King Saul is an old master artwork realized by a follower of Georg Andreas Wolfgang I between 18th and 19th century. Mixed colored oil painting on canvas. On the back probable signature of the author traced by brush "P. So [mita] rt [...] Fac. ". The subject of this painting, the witch of Endor, a necromancer mentioned in the Bible whose power was to evoke the spirit of the dead, is a very rare theme in painting and there are few artists who represented it. In Italy it was especially Salvator Rosa (1615-1673) who had a deep interest in necromantic subjects and, in particular, he produced many paintings of this kind when he stayed in Florence in the 1840s. Rosa's inventions were exported throughout Europe and, in particular, in the German cities of Stuttgart, Nuremberg and Augusta through the works of Johann Heinnrich Schonfeld (Stuttgart, 1627 - Habsburg, 1684), an artist who worked in Naples and who remained sensitive to figure of Salvator Rosa. In this context, in addition to Schonfeld, the Swiss Joseph Werner II (Berne, 1637-1710) was also responsible for the diffusion of this pictorial genre, introducing Rosa's works on witchcraft among his knowledge of Augsburg. He was also the inventor of the scene represented here from whose drawing (Bern, Kunstmuseum, inv. A1196), executed in 1677, the engraving made immediately after by Georg Andreas Wolfgang the Elder (1631–1716) and by which derives precisely the work examined here. The engraving, which was part of a series of biblical images, was dedicated by Wolfgang to Leonhard Weiss, probably a municipal employee of Augsburg or tis mayor. Reference bibliography: - Susan Broomhall, Gender and emotions in medieval and early modern Europe...

Judith Holding Holofernes' Head is an old master artwork realized by an unknown Artist of 17th century. Oil on canvas. The painting depicts Judith Holding the head of Holofernes.