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Angela Rio"Hard Eggs and God Mothers", Food motif, Caterpillars, moths, Gelatin, Cake2024
2024
About the Item
"Hard Eggs and Godmothers" is an orginal piece by Angela Rio made from oil on canvas. This piece measures measures 18"h x 15"w and is signed by the artist in verso.
Angela Rio is a Philadelphia-based artist that forms complex but balanced motifs and narratives in a variety of mediums. Her most recent work has been shown in a juried exhibition at ATHICA in Athens, GA. She’s made work in collaboration with the collective at Space 1026 for shows at Vox Populi and Paradigm in Philadelphia, PA. In the realm of public art, her mural at the PHL International Airport and banners for Center City District along Walnut Street have been largest scale projects she’s worked on. Printed Matter, Inc., Arch Enemy Arts, and Fairmount House have also included her work in group shows. Prior to becoming a member at Space 1026, Rio’s illustrations were commissioned by The New York Times, Philadelphia Magazine, Little Baby’s Ice Cream, Lame-O Records, and Boiled Records. She also co-authored a book about how to make paper plants called The No-Kill Garden that was published by Running Press and available at Barnes and Noble. Rio received her BFA in Illustration from University of the Arts in 2014. Her body of work is expanding through ways of printmaking, woodworking, and painting. She is always experimenting with new techniques to further inform her visual language.
- Creator:Angela Rio (American)
- Creation Year:2024
- Dimensions:Height: 15 in (38.1 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU188214242052
Angela Rio is a Philadelphia-based artist that forms complex but balanced motifs and narratives in a variety of mediums. Her most recent work has been shown in a juried exhibition at ATHICA in Athens, GA. She’s made work in collaboration with the collective at Space 1026 for shows at Vox Populi and Paradigm in Philadelphia, PA. In the realm of public art, her mural at the PHL International Airport and banners for Center City District along Walnut Street have been largest scale projects she’s worked on. Printed Matter, Inc., Arch Enemy Arts, and Fairmount House have also included her work in group shows. Prior to becoming a member at Space 1026, Rio’s illustrations were commissioned by The New York Times, Philadelphia Magazine, Little Baby’s Ice Cream, Lame-O Records, and Boiled Records. She also co-authored a book about how to make paper plants called The No-Kill Garden that was published by Running Press and available at Barnes and Noble. Rio received her BFA in Illustration from University of the Arts in 2014. Her body of work is expanding through ways of printmaking, woodworking, and painting. She is always experimenting with new techniques to further inform her visual language.
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
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The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
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1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia
1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia
1990 - Exhibition of Van Gogh's memory, "Palette" , Russia
1991 - Exhibition Gallery Palette
1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia
1992 - Exhibition at Gallery Pinatin, Berlin.
1993 - Exhibition of Piraeus, Athens, Greece.
1993 - Exhibition Gallery 47...
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