Vertical Still-life Paintings

This piece is part of an exciting collection depicting iconic the "Coco Chanel" with the artist's "Dripping Dots" style, where she incorporates a classic Chanel bottle in her own sty...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday life in the sun along the Pacific coastline (and beyond). Her detailed paintings show us the breathtaking California scenery with its recognizable elements in a new light and with a keen eye for clever composition and layered colors. Her modern landscapes and sublime seascapes capture an impressive visceral visual. This one-of-a-kind 20-inch high by 16-inch wide and 1.5-inch deep artwork is a composition created with acrylic paint on canvas. It is stretched, wired, and ready to hang. The sides are painted blue and it does not require framing. It is signed by the artist on the front of the artwork. A certificate of authenticity issued by the gallery is included. Convenient local Los Angeles area delivery. Affordable Continental U.S. and global shipping are available. Kathleen Keifer is a California-based internationally collected artist. Her paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. Water, sky, and architecture change their appearance with the shifts in weather and light. Her broken brushstrokes depict light and color in luminous waves, dissolving form into a shimmering surface of vibrant light. For her, painting captures the very essence of time and its passage. While painting landscapes she became fascinated with isolating the objects in her paintings. She believes that actual sites and places have individual magic. The goal is to take objects from popular culture and paint them in a new context. She began to paint the silhouette of the Life Guard Tower more as a pop art symbol than a landscape element. With a high level of technical virtuosity, Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects. Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York, and London. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA 2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA 2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA 2018 Morris Inn, Notre Dame, IN Malibu Beach House, Malibu, CA Bon Voyage, Coda Gallery, Palm Desert, CA Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL Art Palm Springs Fine Art Fair, CA Artspace Warehouse, CA 2017 Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA “Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA 2016 Susan Schomburg gallery, Santa Monica, CA Jazz in the Pines, Idyllwild, CA 2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il Jazz! Dion Gallery, Redondo Beach, CA Art 90266, LA 25, Manhattan Beach, C Political Commentary, Linus gallery, Long Beach and Pasadena, CA 2014 RETROspective, Coast Gallery, Long Beach, CA ArtHampton, Bridgehampton, NY The Pursuit of…, Lurie Gallery, Los Angeles, CA Art 90266, LA 25, Manhattan Beach, CA 2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA University of Notre Dame, Notre Dame, IN Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada 2012 Art, Wine & Roses, Home Gallery, Malibu, CA Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ 2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA Art of The Game, Oh My Godard Gallery, Atlantic City NJ Art of The Game, Liss Gallery, Toronto, Ontario, Canada 2010 Art of The Game, Gallery 319, Santa Monica, CA One Woman Show, Canfin Gallery...

Large gestural still life painting of light pink peony flowers in a simple tabletop vase "Bouquet", oil on canvas, 50 x 36 inches Framing is optional, sides are cleanly painted whit...

French School, circa 1920's circle of Gustave Loiseau (French 1865-1935) oil on canvas laid on board, 13 x 9.5 inches Delightful quality early 20th century French Impressionist oil painting, depicting this summer garden, with stone house behind. An elegant garden chair stands to the foreground, waiting for someone...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (1 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

"Doorway" (2023) by Kevin Yaun is an original, handmade impressionist painting depicting the view of a cityscape through an open door. Kevin Yaun, an abstract impressionist painter...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Table, Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condit...

Patrick Nevin's (US based) "Vanitas with Marine Corps Coin" is an oil painting that depicts a human skull situated with an orange, a Marine Corps coin, ...

Antique impressionist flower still life oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 37 inches overall.

Blossoms in Blue signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 13 x 10 inches dated 1946 condition: This painting is in excellent...

Orange Chair by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 25 x 18 inches condition: overall very good provenance: all the pai...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Untitled II, 2024 by Rodrigo Etem From the Medium - Screen Time series Mixed Media (oil, giclee print) on canvas Marupá wood Framed Frame size: 52 H x 41.5 W x 3 D cm. In this proj...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural figure of an organ and yellow Tulip on a peach orange background with thick use of pai...

A Branch with Apples, watercolor and gouache on paper by Swedish artist Otto Strandman (1871–1960). The composition features a delicately rendered branch with green and reddish apple...

Big Momma's Still Life #2 Oil pastel on rag paper, 2007 Signed by the artist lower left: "Sedrick Huckaby III" (see photo) Sheet size: 16 x 12 1/8 inches Frame: 28 x 24 inches Exhibi...

This still life painting "One green apple and two red apples" features a blue jar with lid, a blue cup, two red apples, and a green apple on an orange-red surface. This piece eman...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 38 x 33 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Mixed media on paper by artist Daria Kusto Shipped well protected, rolled in a tube, unframed

"Anniversary No. 42" is a framed oil on canvas painting by Joseph Adolphe, depicting a still life of a wine glass stuffed with a linen napkin. The artist's use of painterly brushstro...

A beautiful large mid 20th century French post-impressionist oil on panel depicting irises in a jug by Jean de Paul. The work is in superb original cond...

In this oil painting, I've embraced a blend of expressionism and impressionism to evoke the transience of beauty. Each stroke conveys a raw emotion, crafting a dance of light and sha...

"Nightstand" by Lu Haskew Oil 24x20" framed, 20x16" image size A colorful antique oil lamp is accompanied by some fresh cut flowers and a lace drape cascades over the table in this r...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Willard Dixon, 'Morning Zion' was painted in 2023. The original painting is 60 X 47 inches. Framed in a contemporary minimal hardwood, 60.5 x 47.5 inches. Ready to hang and enjoy ove...

Abstract painting, which was inspired by the lovely silver wooden frame. Will be signed for the future owner. I like the contrast of the frame and colors - evoking good mood.

"Petunias" is a realist oil on canvas painting by Rachel Personett. A potting of white petunias overflows in verdant abundance. White blossoms glow against the dark background. Frame...

Antique still life of flowers by W. J. Wainwright English, Late 19th Century Canvas: Height 127cm, width 101cm Frame: Height 144cm, wi...

Original work in acrylic paint and ink on canvas textured paper. Inspired by nature and the beauty found in everyday objects. I combine traditional still life subjects with a contemp...

Flowers In Vase signed by Louise Alix, French 1950's Impressionist watercolour on artist paper stuck on board, framed. Glass covered frame: 12.5 x 9.75 inches painting: 11 x 8 inche...

Still life with flowers and apples. 1964. Cardboard, oil, 63x50.5 cm

Efflorescence - acrylic on canvas - 48 x 30 inches, depicts a building by Julia Morgan — noted architect of Hearst Castle — located on Baker Street near G...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

Work on cardboard Brown wooden frame 55 x 47.5 x 4.5 cm his bold, vibrant work of art captures the essence of a bouquet of flowers in a crystalline vase of soft hues. Expressive brus...

Flowers - Carlo De Tommasi Italia 2011 - Oil on canvas cm. 80x50 In this precious oil painting, Carlo De Tommasi is inspired by the compositions of the Dutch Balthasar van der Ast...

Provenance Acquired by the gallery directly from the artis FRAMED: 27.75" x 14" x 2" Artist Statement “I enjoy portraying the natural character of birds, while placing them in unusual settings. In this painting, the South American Blue-Grey Tanagers, whose natural habitat lies east of the Andes, are seen here playfully perched. One is atop the frame looking inward, another sits on the stems of an arrangement of pink peonies and star gaze lilies, and the third is resting on a pair of figs. They are not in a cage, but freely flying about, although set in a niche as precious objets d’arts. The composition of the trio of birds allows the viewer to see the scene from every angle, and the complementary pink and blue colors make the overall subject pleasing and tender.” —Mary Kay West...

Work on canvas

Pilar Margenat (1939) - Still life - Oil on canvas Oil measures 92x73 cm. Frameless. He was born on August 2, 1939 in Sant Quirze del Vallés (Barcelona). He studied drawing and pai...

Blue and Pink Floral Still Life in Acrylic on Canvas Vibrant still life by Ilana Ingber (American, b. 1984). An arrangement of bright blue flowers sit in a tall vase, against a pink...

Flower Bunch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back old exhibition label verso signed oil painting on board, unframed measures: 12 high by ...

Apple Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 19.5 x 14.5 inches provenance: artists estate, France condition: very good and sound condi...

A Vibrant, Expressive Mid-Century Floral Still Life Painting by Rudolph Pen. Artwork size: 15” x 10"; Framed size: 19 1/2” x 14 1/2”. Signed Pen, lower right. Provenance: Esta...

'Le Bouquet' Floral Still Life, Flower Oil Painting French School, mid 20th Century Oil painting on canvas, framed Framed size: 29 x 18 inches Beautiful oil painting of a lovingly c...

If you love spices, you will love this original oil painting by renowned photorealist Mark Schiff. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Oil on canvas In "Sunny Emotions: A Bouquet of Wildflowers in the Sunlight" we see a beautiful bouquet consisting of wildflowers, bathed in the sunlight. The painting conveys an a...

Beautiful Seaside Garden With Flowers by American Woman Artist Alice Pritchard ALICE PRITCHARD Alice Pritchard studied fine arts and literature at the University of Virginia, earning a B.A. in English with a minor in Studio Art and Art History. She furthered her education, obtaining an MA in English Language and Literature from the University of Maryland. In addition to her university education, Pritchard studied with watercolorists Charles Reid...

Josep Miquel Serrano (1912-1982) - Still Life of Flowers - Oil on canvas Oil measures 92x73 cm. Frameless. Josep Miquel Serrano, of a Santander family, was born in Barcelona in 1912...

Fred Wessel's "The Constellation Crater" is a stunning egg tempera painting on gold leaf. Created in 2015, this piece depicts a young woman, holding a crystal chalice and sitting upr...

Exceptional pair of paintings by Manon Cleary (1942-1911). Paintings are oil on canvas. Dated 1980 and signed in the front lower right corner and on reverse. Manon Cleary's work is ...

Jordi Curós Ventura (1930-2007) - Still life Oil on canvas. Canvas measurements 35x27 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trai...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, England and had been part of an album of works assembled by the artist during the early 1900's. During the Victorian and Edwardian era in Britain, it was very fashionable for ladies of aristocratic and wealthy backgrounds to draw and paint still lifes of flowers and plants that they had picked or seen in gardens. Many were highly accomplished and extremely talented artists, who sadly were not encouraged to exhibit due to society frowning upon such activities. Artist/ School: Caroline Worsley...

Still Life, ca. 1950's. Tempera on paper. Image measures 14 x 17 inches. Black paper sheet measures 18 x 24 inches. Unframed. Signed lower left. Discreet tears in upper right corn...

Work on paper Beige wooden frame with glass pane 85 x 67 x 2,5 cm