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Christine SoSpring Forest Floor (30 x 22.5" cyanotype painting)2024
2024
$800
£598.79
€691.91
CA$1,109.33
A$1,242.60
CHF 646.01
MX$15,343.56
NOK 8,229.68
SEK 7,779.88
DKK 5,163.39
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About the Item
This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals are different from those used in black and white photography. The light-sensitive chemicals can be used to print blue and white photographs from a large negative or a person can capture the silhouette of solid objects rather like an x-ray in blue and white.
In her Delft Garden series, artist Christine So first drew the outline of a plant in pencil and then painted it in a dark room —not paint– but with the cyanotype light-sensitive emulsion. After the painting dried, she arranged plants on top of the painted silhouette in a pattern that would leave gaps like lace, carefully moved the entire bundle outside while still covered and then exposed the pattern to sunlight multiple times to achieve various shades of blue and white. The heavy cotton watercolor paper then needed to be thoroughly rinsed in order to stop the darkening process.
The silhouette here is of the native Californian wild figwort commonly known as "bee plant." The tiny blue and white pattern seen in each leaf is of wild hemlock and cow parsley wildflowers found in the same redwood forest.
Unframed. On a cream-colored Arches cotton watercolor paper with decorative deckled edges.
NOTE: Slight waviness in how the rinsed paper dried makes it better to float-mount this artwork in a deep frame with the edges showing rather than covered by a mat.
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 22.5 in (57.15 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:noPrice: $800
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216283892
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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