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David HinchliffeOff to Ascot - impressionist yellow and blue London cityscape oil on canvas2017
2017
$4,741.67
£3,500
€4,091.18
CA$6,544.22
A$7,330.97
CHF 3,813.02
MX$89,422.72
NOK 48,544.76
SEK 45,774.25
DKK 30,535.42
About the Item
David Hinchliffe has been painting, exhibiting and selling his work in galleries since the age of 12. He has won numerous competitions as a young artist (Sunday Mail Art Prize, ABC Argonauts Award, Atlantic City Sculpture Award, Toowoomba Gemini prize). David has travelled and painted widely in the United States and UK and is represented extensively in collections both in Australia and overseas. While his work is principally oils on canvas or linen, he has also produced many gouache works and sculpture as well as holding two exhibitions of his photographs (“Two to the Valley, 1992, and “Detours”, 2010). His style has been described as “contemporary impressionism”.
- Creator:David Hinchliffe (Australian)
- Creation Year:2017
- Dimensions:Height: 39.38 in (100 cm)Width: 59.06 in (150 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU738315134332
David Hinchliffe
David Hinchliffe has been painting, exhibiting and selling his work in galleries since the age of 12. He has won numerous competitions as a young artist (Sunday Mail Art Prize, ABC Argonauts Award, Atlantic City Sculpture Award, Toowoomba Gemini prize).
David has travelled and painted widely in the United States and UK and is represented extensively in collections both in Australia and overseas. While his work is principally oils on canvas or linen, he has also produced many gouache works and sculpture as well as holding two exhibitions of his photographs (“Two to the Valley, 1992, and “Detours”, 2010).
His style has been described as “contemporary impressionism”. “My recent work deals with the urban environment in its many forms in cities around the world as well as an abiding affinity with the Australian landscape. It is a response to light. I like the movement of light across a surface — whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes – whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris and London streets, the quirky laneways of Melbourne, the crowded pedestrian footpaths of Brisbane city, or the treed streets near my home in inner suburban New Farm and studio in Fortitude Valley Australia.
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