David Hinchliffe

Off to Ascot - impressionist yellow and blue London cityscape oil on canvas

2017

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Mac...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Mac...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Mac...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

David Carmack Lewis' beautiful original contemporary oil landscape "Limber" (2023) depicts a tree standing tall on a hill, with the Colorado forest below, the pale blue sky casted ab...

David Carmack Lewis' beautiful original contemporary oil landscape "Limber" (2023) depicts a tree standing tall on a hill, with the Colorado forest below, the mountains rising up to ...

"Green Shade Cordials" by Nancy Switzer (2006) is an original oil painting depicting a tin can with perched sunglasses flanked by cordial glasses with a bright yellow and green backg...