Georges Terzian

La Bouteille 2001 Oil on Canvas - Post Cubist Still Life Guitar & Bottle Music

2001

Signed lower right Provenance Private collection, New York City This work is available for viewing in our New York City showroom.

Oil on canvas 38 x 29. 1/2 inches (96.5 x 74.9 cm.) Framed: 51 x 42 inches Signed lower right: Aimé Perret Aimé Perret participated regularly in the Salon in Paris, from 1870 to 188...

“Les Humanities CCVIII”, a large and wonderful acrylic on canvas painting by Paul Béliveau, was created in 2006. This panting depicting books on a shelf is considered to be in the Tr...

This is a large and wonderful painting by Alan Magee. “Stones with Red Brick” from 1982 is acrylic on canvas and painted in a photo realism style.

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the d...

Vintage American school signed modernist cubist still life oil painting and collage. Oil and mixed media on board. Signed. Framed. I...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist landscape was created in 1952. Estate stamped and dated on the reverse. Titled, "Nahant Rocks, Lynn, MA " with a partial exhibition label on the reverse. The painting comes housed in a black wood frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...