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Henri HaydenNature Morte avec Bouteille de Porto by Henri Hayden - Still Life, Cubism1921
1921
About the Item
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Nature Morte avec Bouteille de Porto by Henri Hayden (1883-1970)
Oil on canvas
100 x 65.1 cm (39 ³/₈ x 25 ⁵/₈ inches)
Signed and dated lower right, Hayden 1921
This work is accompanied by a certificate of authenticity from Laurence Le Cieux.
Provenance: Private collection, Paris
Sotheby's New York, November 5th 1982
Bernstein Galleries, New York, acquired from the above
Maxwell Davidson Gallery, New York
Private collection, Boston, acquired from the above
Literature: A. Winiarski, Mistrzowie École de Paris - Henri Hayden, Warsaw, 2013, p. 50
P. Chabert & Christophe Zagrodzki, Hayden, Paris, 2005, p. 55
Artist biography:
Classified as a School of Paris artist, Henri Hayden worked mostly in the genres of still life and landscape.
Born in Warsaw, Hayden was one of the many Eastern European artists who gravitated towards Paris. Moving there in 1907, he briefly studied at the art school La Palette, and went on to paint in Brittany most summers from 1909 to 1919.
Hayden’s first one-man show was at the Galerie Druet in Paris, 1911. During this time Cézanne became a strong influence, as reflected in The Chess Players at La Rotonde - a significant work by Hayden shown at the Salon des Indépendants in 1914. From 1915 to 1921, Hayden participated in the Cubist movement, and this continued to impact his style until 1922. His friend Juan Gris led him to the dealer Léonce Rosenberg, and through him he became acquainted with Jean Metzinger, Gino Severini, Pablo Picasso, and Henri Matisse. While his most famous painting The Three Musicians - now in the National Museum of Modern Art, Paris - is indebted to Cubism, Hayden eventually reacted against the avant-garde movement, returning to the direct study of nature.
From 1922, Hayden’s oeuvre became more figurative, proving immensely successful with dealers and the public. Hayden’s work gained increasing recognition from around 1952, when it showed signs of returning towards Cubism, with the landscapes and still-life’s both becoming both more simplified and composed compared to his previous Cubist works. Never fussy or laboured, they combine a new richness of colour with lyrical melancholy. At the end of his life, Hayden bought a country house near La Ferté-sous-Jouarre, where he painted many landscapes of the surrounding area; this time was marked by meditation and a purity of vision. Hayden died in Paris in 1970.
- Creator:Henri Hayden (1883 - 1970, Polish)
- Creation Year:1921
- Dimensions:Height: 39.38 in (100 cm)Width: 25.63 in (65.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261215073672
Henri Hayden
Henri Hayden was a School of Paris painter, mainly of still life and landscape. Hayden was born in Warsaw and studied engineering at Warsaw Polytechnic from 1902. Alongside this he studied painting at the Ecole des Beaux-Arts and, in 1905, decided to devote himself entirely to painting. Hayden moved to Paris in 1907, then a hotbed for the European artists of his generation, and briefly studied at the art school La Palette. He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911. He was influenced by Cézanne, whose groundbreaking retrospective had been shown in the city the same year Hayden had arrived, and decided to join the Cubist movement (1915-21) where he became friends with the small circle including Braque, Gris, Lipchitz and Picasso. In 1916 the exclusive Cubist dealer, Leonce Rosenberg, brought Hayden under contract. Becoming tired with the movement in 1922, Hayden reacted against Cubism and returned to the direct study of nature. He continued to exhibit in France, including a number of solo shows. During the German Occupation, Hayden took refuge in the South of France and, on returning to Paris in 1944, found his studio and much of his work destroyed by the Nazis. Hayden bought a country house in 1962, near La Ferté-sous-Jouarre, and immersed himself in area, using its landscape views and places as the subjects for his paintings. For many years, Hayden was represented in London by Waddington Galleries. His works are in the collections of Musee d'Art Moderne, Paris; Petit Palais, Paris; Stockholm Museum; Budapest Musem; Barnes Foundation, Philadelphia.
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