Irma Engel Grabhorn

'Summer Flowers', Paris, Salon d'Automne, Post-Impressionist California Artist

Circa 1955

Signed lower left, 'Clifford Holmes' (American, 1876-1963) and created circa 1955. Titled, verso, 'Mixed Bouquet' and inscribed with artist's Hayward, California address. The descendant of a pioneer California family, Clifford Holmes first studied at the University of Redlands and, subsequently, at San Francisco State. He later traveled and studied in Europe. Holmes painted in a wide variety of media including oil, watercolor and pastel and his favored subjects included portraits, landscapes and still-lives. Over the course of a long career, he exhibited widely and with success including at the Society of Western Artists, the American Artist's Professional League, the De Young...

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Signed lower right 'H. Frank' for Harold Frank (American, 1917-1995), additionally stamped, verso, with certification of authenticity and painted circa 1975. An exuberant Post-Impre...

Oil still-life of a bouquet of ocher, rose, cobalt, lavender, and ivory wildflowers, informally arranged in a goblet against a background of rust and periwinkle. Signed lower right...

I love to go for walks, especially when it is spring and summer. It is at this time that the earth is fragrant with an endless abundance of colors and I never cease to be amazed by ...

Summer Bouquet by MAURICE VAGH WEINMANN (Hungarian, 1899-1986) signed lower right oil painting on board, framed framed size: 30 x 24 inches provenance: private collection, South of...

Charming and bright mid century summer bouquet by Carmel, California artist E. Ruckser (American, 20th-century). Circa 1960. Displayed with an over mat. Image, 11"H x 8"W.

Mary Abbott Flowers, circa 1950 Signed lower left Pastel on paper 30 x 22 1/4 inches Provenance: Aaron Galleries, Glenview, Illinois Among the early exponents of Abstract Expressio...