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Jacques Emile BlancheFloral Bouquet - French circa 1900 Impressionist art oil painting of flowerscirca 1900
circa 1900
$38,364.67
$47,955.8320% Off
£28,000
£35,00020% Off
€32,660.49
€40,825.6220% Off
CA$52,550
CA$65,687.5020% Off
A$58,447.07
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CHF 30,519.25
CHF 38,149.0620% Off
MX$711,238.70
MX$889,048.3820% Off
NOK 389,777.33
NOK 487,221.6620% Off
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About the Item
This superb Edwardian floral oil painting is by noted French Impressionist artist Jacques-Emile Blanche. From 1884 Blanche spent a lot of time in England and regularly exhibited at the Royal Academy. Painted circa 1910 the composition is a stunning Impressionist painting depicting a vast mixed floral bouquet in a vibrant blue vase on a table. Included in the floral arrangement are white and yellow dahlias, blue cornflowers and orange crocosmia. The brushwork and heavy impasto are superb. An incredible painting with a stunning wide palette of blues to oranges and an excellent example of Blanche’s work.
Signed lower right.
Provenance. Christie’s London.
Condition. Oil on canvas, image size is 34 inches by 28 inches and in good condition.
Housed in a gilded gallery frame. Framed size is 45 inches by 39 inches and in good condition.
Born in Paris, the son of a society neurologist, Jacques-Émile Blanche (1861–1942) was a French painter of portraits and landscapes. He enjoyed fashionable success during his lifetime. From 1884 he visited England almost every year, where he regularly submitted work for exhibition. Blanche’s parents kept a house at Dieppe which was a centre for the town’s social scene, as was Blanche’s studio there at Le Bas Fort Blanc. In Dieppe in the mid-1880s Blanche encountered a cross-section of artists and cultural critics, including George Moore, Arthur Symons, Aubrey Beardsley and Charles Conder, as well as Claude Monet, Edgar Degas, Camille Pissarro, Paul Helleu and André Gide. When he visited Dieppe in 1885 Walter Sickert visited Blanche, although it seems likely they had met for the first time earlier the same year in London. Blanche’s memoirs suggest this first meeting took place when he visited his friend, Mrs Edwin Edwards, who with her husband was on friendly terms with the painter Henri Fantin-Latour. Sickert had been dispatched there by Whistler to try to persuade Fantin-Latour to visit the American artist’s studio. It was in Blanche’s Dieppe house in 1885 that Sickert refreshed his acquaintance with Degas.
- Creator:Jacques Emile Blanche (1861-1942, French)
- Creation Year:circa 1900
- Dimensions:Height: 45 in (114.3 cm)Width: 39 in (99.06 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113069702
Jacques Emile Blanche
Born into a wealthy French family of eminent psychiatrists, Jacques-Émile Blanche grew up surrounded by literary and artistic influences. His father was an important collector of Impressionist paintings and was friends with (and often physician to) many of the great art world figures of 19th century Paris. Although he received some formal training from Henri Gervex (1852-1929), Jacques-Émile Blanche undoubtedly learned most from his early mentor Edouard Manet and his friends James Whistler, John Singer Sargeant, Giovanni Boldini, and James Tissot. During his long and successful career Blanche painted many street scenes of late Victorian London but became most famous as a portrait painter. Like his father, Blanche was a popular and gregarious character, and a close friend of just about every important figure in Belle Epoque Paris. He painted famous portraits of Marcel Proust, Virginia Woolf, Aubrey Beardsley, James Joyce, Colette, Edgar Degas, Claude Debussy, Henry James, Auguste Rodin, Thomas Hardy, John Singer Sargent, Walter Sickert, Vaslav Nijinsky, Tamara Karsavina, Jean Cocteau, Ida Rubinstein, Stéphane Mallarmé, Igor Stravinsky, Paul Valéry, Aldous Huxley, and D.H. Lawrence in addition to Royalty and just about every prominent society beauty of the Belle Epoque. Between 1881 and his death in 1945 Jacques-Émile Blanche exhibited in Paris at the Salon des Artistes, the Société Nationale des Beaux-Arts (of which he was founder member), and the Exposition Universelle of 1900, in London at the Royal Academy and the New English Arts Club, and at the Venice Biennale where he was awarded a gold medal. He also became a renowned master to numerous students during his time at the Académie Vitti, one of the first schools to accept female students, and subsequently at the Académie de La Palette. In the 1930 he was made a Commander of the Légion d’Honneur and five years later was elected to the Académie des Beaux-Arts, the most distinguished position any French artist could be offered by the state. Today, works by Blanche can be found in the collections of the Musée d'Orsay in Paris, the National Gallery and National Portrait Gallery in London, the Art Institute of Chicago, Oxford University’s Ashmolean Museum, Harvard University Art Museums, the Hermitage Museum in St. Petersburg, the New York Metropolitan Museum of Art, and Tate Britain in London among many others.
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