Joan Sola Puig

Sola Puig VASE OF FLOWERS Acrilyc painting

1990

flowers original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environmen...

original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. He d...

Still life truit and jars original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, ...

Abella original still life cubist acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the oche...

This superb Post Impressionist floral oil painting is by noted successful Russian born female artist Nadia Benois. Benois came to England and settled in L...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist ..you want. Leonard Raven-Hill (1867-1942) Still Life of Flowers II Oil on canvas 24 x 19 cm In a handsome frame. Signed lower left 'L RavenHill'. A handsome oil painting of a still life of flowers by well-listed painter Leonard Raven-Hill, who has works in the Tate, British Museum, National Portrait Gallery and other famous collections. We have another painting by the same artist listed. Leonard Raven-Hill (10 March 1867 – 31 March 1942) was an English artist, illustrator, and cartoonist. He was born in Bath and educated at Bristol Grammar School and the Devon county school. He studied art at the Lambeth School of Art and then in Paris under MM. Bougereau and Aimé Morot. He began to exhibit at the Salon in 1887 but moved back to London when he was appointed as the art editor of Pick-Me-Up. He also continued to work as a painter and exhibited at the Royal Academy in 1889. In 1893 he founded, with Arnold Golsworthy, the humorous and artistic monthly The Butterfly (1893–94, revived in 1899–1900) but began his most prominent association with a publication when his drawings appeared in Punch in December 1895. By 1901 he had joined the staff of Punch as the junior political cartoonist. He contributed to many other illustrated magazines including The Daily Graphic, Daily Chronicle, The Strand Magazine, The Sketch, Pall Mall Gazette and Windsor Magazine. He also illustrated a number of books including · East London by Sir Walter Besant (1901) · Cornish Saints and Sinners by J. H. Harris · Three Men on the Bummel by Jerome K. Jerome · Stalky and Co by Rudyard Kipling · Kipps by H. G. Wells Raven-Hill published the impressions of his visit to India on the occasion of the tour of the Prince and Princess of Wales as An Indian Sketch...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...