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Kate BrinkworthGolden Dollar - Kate Brinkworth, photorealist, dice, casino, painting, money2010
2010
$21,257.81
£15,600
€18,386.17
CA$29,256.80
A$32,609.75
CHF 17,109.22
MX$398,218.25
NOK 216,639.91
SEK 204,757.66
DKK 137,224.03
About the Item
Kate Brinkworth (b.1977)
Golden Dollar
2010
oil on canvas
180 x 135 cm
Price:
£15,600 GBP (inc. 20% UK VAT)
Provenance:
Direct from the artist’s studio
Exhibited:
Kate Brinkworth, All or Nothing, Alon Zakaim Fine Art, London, 21 September-22 October 2010
Notes:
Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair.
Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand.
Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique.
Categories:
Golden Dollar, Kate Brinkworth, photorealist, dice, gambling, casino, painting, british, woman, female, female artist, original, big, oil paint, canvas, oil, contemporary, photorealism, blue, red, purple, art, still life, gamble, money
- Creator:Kate Brinkworth (British)
- Creation Year:2010
- Dimensions:Height: 70.87 in (180 cm)Width: 53.15 in (135 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU141426642292
Kate Brinkworth
Kate Brinkworth undertook her artistic training at Nottingham Trent University. Finding intrigue in the use of camera angles and techniques she is particularly inspired by effects created by the manipulation of focus. Though her paintings are not intended to imitate a photograph Brinkworth’s style uses the language of film and photography to create these unique images. After completing her studies in 2000 she rapidly began exhibiting work, her first major solo show taking place in 2001 at Britart Gallery, London. Her work has since been exhibited widely throughout the UK and North America. Brinkworth’s work stems from her curiosity of films, particularly those directed by or in the style of Hitchcock. Painted in varying degrees of focus Brinkworth highlights the focal subjects in each piece whilst the blurred areas are left subtly alluring. Introducing narrative to her work, the subjects are suggestive of a place and time and encourage the viewer to create their own story based on personal interpretation
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Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair.
Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand.
Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique.
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Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique.
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