Kate Brinkworth

London Binion's - Kate Brinkworth, photorealist, dice, casino, painting, money

2017

Kate Brinkworth (b.1977) The Watcher (Black and White No. 2) 2013 oil on canvas 90 x 135 cm Price: £8,400 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: The Watcher, Kate Brinkworth, photorealist, dice, gambling, casino...

Kate Brinkworth (b.1977) Golden Dollar 2010 oil on canvas 180 x 135 cm Price: £15,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Exhibited: Kate Brinkworth, All or Nothing, Alon Zakaim Fine Art, London, 21 September-22 October 2010 Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: Golden Dollar, Kate Brinkworth, photorealist, dice, gambling, casino...

signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...

Roger de la Fresnaye (1885-1925) Nature morte à l’oeuf 1910 oil on board mounted on panel 66.2 x 50.9 cm signed and dated ‘R de la Fresnaye.10’ (upper right) Price: $157,500 USD (in...

Natalia Pankova (1965) - Sunflowers - Oil on canvas Oil measurements 50x50 cm. Frameless. This striking piece by Natalia Pankova, a renowned contemporary Russian painter, captures the energy and vitality of a sunflower bouquet in her signature expressionist style. Pankova uses a vibrant palette and dynamic brushstrokes, creating a powerful balance between structure and emotion. The artist draws clear inspiration from masters such as Vincent van Gogh, whose use of color and expressive approach to still life revolutionized the art world, and Paul Cézanne, celebrated for his structural and geometric treatment of still life. Additionally, echoes of Wassily Kandinsky's expressionism can be seen, particularly in the harmonious interplay of shapes and colors. The painting is not framed, offering the buyer the freedom to select a frame that best suits their personal style and space. Perfect for collectors or contemporary art enthusiasts looking for a vibrant and unique piece. An excellent addition to any collection! Natalia Yuryevna Pankova (Russian: Наталия Юрьевна Панкова, Gorky, June 28, 1965) is a Russian painter. Natalia Pankova was born in the city of Gorky in 1965. She finished her studies at the Gorky Art Institute and the Moscow External University of Humanities. Master in art criticism. Member of the Union of Artists of Russia. President of the Directorate of the Nizhny Novgorod Fund “Russian Art” Representative advisor of the Ministry of Foreign Affairs of Russia in the city of Nizhny Novgorod for cultural affairs. Natalia Pankova's paintings are in the collections of the Nizhny Novgorod State Art Museum The Museum of Fine Arts of the Republic of Mordovia “S.D. “Erzia” The Chuvash State Art Museum The National Museum of Fine Arts of Algeria Margaret Thatcher Alain Juppé Sergei Kiriyenko Boris Nemtsov Irina Jakamada Frits Philips Mstislav Rostropovich and Galina Vishnevskaya Yuri Bashmet Vladimir Spivakov Bank of Russia He has been exhibiting his work since 1988, during which time he has participated in more than 70 individual exhibitions of artists in Russia and abroad. Among which stand: 1989: Exhibition hall of the Association of Creators “Black...

"Abstract Visage XII" Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Artis Lane’s “Flowers in a Pink Vase” fills the canvas with the breathtaking beauty of colors and with the dynamic energy of their movement. The subject of the flower has captured the interest of both artists and viewers across centuries and in numerous cultures. Mosaics of flowers can be seen on the villa floors in Pompeii and Herculaneum pre 79 A.D., the Dutch painter Jan Davidsz de Heem is famed for his Baroque still lifes of flowers in the 1600s, French artist, Edouard Manet’s Last Flowers are revered as some of his best work, and the 20th c. silkscreens of Andy Warhol’s Poppys...