Marc Zimmerman

Tropical Fantasy Floral - Still Life Flowers Painting by Marc Zimmerman

2021

Tropical Fantasy Floral - Still Life Flowers Painting by Marc Zimmerman Oil on board Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsic...

Contemporary floral painting in a vase with voluptuous flowers. Delicate color and texture. Tropical Fantasy Floral #4 - Still Life Painting - Oil Paint By Marc Zimmerman This mast...

Tropical leaves are emphasized in all their glorious shapes and patterns in a colorful weaving, framed in by a Hawaiian motif. Tropical Bouquet - Interior Painting - Oil On Canvas B...

Contemporary, abstracted floral forms in a base of blue foliage. Inventive, Simple and clean. Floral Invention - Landscape Paintings -Abstract Geometric Art By Marc Zimmerman Thi...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

DIMENSIONS: (With Frame) H:36" L:29 7/8" (Without Frame) H:29.5" L:23 3/8" Donald Roy Purdy is an American painter whose work evolved through a range of styles and subjects over the course of his long career. Born in 1924, the self-taught artist seldom used models. Rather, Purdy worked largely from the memory and impressions certain subjects and objects left upon his mind. The artist only occasionally paints on canvas, preferring masonite which he considers to be a stronger and longer-lasting material. Though he admits to using gesso, Purdy is known for his special preparations of painting surfaces through a method he keeps secret. Purdy first began painting in an abstract style. He later combined the abstract techniques with representational subject matter, and would continue experimenting with new styles. In the 1970s and early 1980s, Purdy became influenced by the palette of the Barbizon painters and developed a unique approach, melding abstraction with the rigid Realist techniques to produce his signature Impressionist style. Before pursuing a career as an artist, Purdy earned a B.A. from the University of Connecticut and an M.A. in Psychology from Boston University. Two Purdy paintings were included in the US State Department's "Art in America" show which recently toured Europe and several "First Awards" have been given to Purdy in competition with major artists. Among these is the Gold Metal of Honor from the National Academy in New York City. Purdy's pieces are exhibited by the noted Van Diemen-Lilienfeld Gallery, which shows his work alongside the works of Vlaminch, Derain, Pissaro, Monet, Chagall and Picasso. His one man exhibitions have been seen in New York at the Ruth...

Big, bright tropical flower in shades of pale to deep orange and pale to deep green. Paper base, gessoed and painted with oil and varnished. Archival....