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María MagánFramed Contemporary Pop Oil Painting. Transparencies. Condom as Candy Salted Gum2022
2022
About the Item
In Chicle de Sal I, (Salted Chewing Gum), María Magán transforms a crumpled condom into a hyper-realistic oil painting that mimics the appearance of a chewed piece of gum. Framed in matte black and painted with surgical precision, this small-format artwork reimagines the intimate and the discarded as objects of aesthetic contemplation. This chewed condom painting invites viewers to reflect on the visual tension between revulsion and beauty, humor and eroticism. The subtle transparency and folded latex forms create a visual illusion reminiscent of candy or soft sculpture, elevating the everyday into a symbolic act of transformation.
Part of the Chicles series, Chicle de Sal I continues Magán’s exploration of pop culture and erotic semiotics. The artist uses oil on canvas to subvert objects typically associated with sexuality, presenting them as playful, almost edible icons. By isolating and reframing these elements, she questions the cultural codes around taste, gender, and aesthetics, all while achieving a painting of striking material elegance and conceptual depth.
Technical Details:
Medium: Oil on canvas
Canvas size: 20 x 20 cm
Framed size: 25.5 x 25.5 x 4 cm
Dimensions (packaged): 35 x 35 x 12 cm (estimated)
Year: 2022
Series: Chicles
Condition: New – Original work, signed by the artist
Frame: Included – Matte black wooden frame
Notes:
Secure shipping with certificate of authenticity.
Framing included.
- Creator:María Magán (1983, Spanish)
- Creation Year:2022
- Dimensions:Height: 10.04 in (25.5 cm)Width: 10.04 in (25.5 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:FISTERRA, ES
- Reference Number:1stDibs: LU2626216209582
María Magán
(Galicia, Spain) is a multidisciplinary visual artist and PhD in Fine Arts from the University of Vigo. Her practice explores textile art, painting, and installation, using sewing as a creative process that moves between political activism and poetic recreation. Founder of art collectives and cultural spaces such as La doce and LIBA colectivo, Magán combines artistic creation with cultural project management. She has participated in numerous solo and group exhibitions across Spain and Portugal, including the Hybrid Art Fair (Madrid) and shows at institutions like the Fundación Museo de Artes de Ribeira. Her sensitive and experimental work weaves new material narratives connecting memory, identity, and territory.
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