Martha Herpst

STILL LIFE WITH ROSES

1960

Documentation Signed Origin Belgium Period 1920-1949 Materials oil on canvas Dimensions W. 25.5 in; H. 31 in; W. 64.77 cm; H. 78.74 cm; Condition Good. Excellent condion Creation Date C. 1930 Description An exquisite still life with masterful use of color. Carved frame measures 38.5 x 33 inches. Fernand Toussaint...

Rene Ramos Lust plus Dopamine Oil on Canvas, Signed Cuba 2015 31.5 x 25.5 Inches Rene Ramos was born into a family of accomplished artists. Hi father Rene Martinez Sopena was an accomplished sculptor and teacher at the prestigious San Alejandro School, where Rene and his brother Yuri Martinez Ramos, also a world renowned painter, were graduates. The Martinez/Sopena family can also count amongst their artistic luminaries Hector Martinez and Sergio Martinez Sopena, uncles of Rene and Yuri, both master sculptors with works included in the permanent collection of the Museum of Bellas Artes in Havana, as well as countless collections around the world. Rene from a young age was a master drawer and painter, winning countless awards and scholarships. The competitive and artistic family atmosphere with his father, uncles and brother solidified Rene’s future aspirations of becoming an accomplished figurative painter of Cuban social scenes. The dynamics of Rene’s works can best be described as a narrative of whimsical social commentary of what it truly means to be Cuban in the latter half of the twentieth century and beyond. He takes his ques from family and friends and their interrelationships within Cuban society as it currently unfolds on the island. His works are not political in nature but rather reflects a poignant reminder of the resiliency of the Cuban spirit. His works offer a superior measure of detail utilizing a flow of powerful colors that jump off the canvas. One cannot help but admire and cherish any work of Rene’s a collector decides to take home. Group Shows: RDZ Fine Art –Arte Americas & Red Dot 2009-2012 RDZ Fine Art, Coral Gables, Fl – 2008 Cuban Dreams Papillon Gallery, Los Angeles, CA 2005-2007 Gallery of West Indian Art...

Gordon Scott ARCA 1914 - 2016 Summer Flowers Oil on canvas, signed lower left Image size: 23.5 x 20 inches Contemporary style frame Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, Alan Sorrell and Charles Mahoney. In 1938 he was awarded a Travelling Scholarship by the R.C.A. for painting. A reserved and highly principled man, during WWII he was a conscientious objector, stationed at Bulford Camp on Salisbury Plain. His defined role there is unknown, but during his time there he produced a number of sketches and paintings of soldiers and other personnel who passed through the camp. In 1946 Joseph Dixon...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...