Matt Barter

Pig Hide Bait, Yellow Buoys, Blue Gloves, Orange Boat in Harbor, White Bird

2023

In this contemporary painting in oil on board, a kitchen interior has a still life arrangement of blue bait gloves and fish on a cutting board beneath a knife with pink flowers at th...

A contemporary still life painting with yellow dandelions and pink echinacea flowers in a mason jar against a luminous orange and dark charcoal black background. Signed on recto, sig...

In this contemporary abstract painting in oil on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are bright an...

This is a monotype print, a unique print with no other editions. This geometric abstract monotype on delicate Asian paper layers shapes on a background that transitions from dark cob...

Two rectangular shapes one in painterly brown the other in dark navy are topped with white and beige. These enigmatic and humorously titled "things with tops" are contrasting outcrop...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Alexandra Rozenman's contemporary painting, "Three Chairs, 2 Oranges and an Abstract Painting" is a 24 x 30 x 2 inch mixed media painting on canvas. Rozenman often combines the insid...

PLATEAU Size: 30 x 40 x 2 cm (including frame) Acrylic on Canvas A playful and captivating still life painting, executed in acrylic onto linen canvas by contemporary Irish artist Je...