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Oliver ClareVictorian still lives of fruit and Plums on a mossy bank landscapeCirca 1880
Circa 1880
$4,950
£3,758.65
€4,298.30
CA$6,915.87
A$7,691.95
CHF 4,016.50
MX$93,602.91
NOK 51,296.83
SEK 48,107.38
DKK 32,079.86
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About the Item
This exquisite painting by renowned Victorian English artist Oliver Clare beautifully captures a vibrant still life of fruit on a mossy bank. The composition is a testament to Clare's meticulous attention to detail and masterful use of color, bringing the delicate fruits to life with remarkable realism.
The fruits are nestled against a lush, mossy bank, which Clare has depicted with rich, earthy tones and intricate brushwork, creating a textured backdrop that complements the softness of the blossoms. This natural setting evokes a sense of tranquility and timeless beauty, characteristic of Clare's work.
The painting is elegantly framed in an ornate, gilded Victorian frame, featuring intricate carvings that enhance its historical and aesthetic value. This frame not only serves to protect the artwork but also accentuates its classical charm, making it a stunning centerpiece suitable for any collection.
Overall, this painting is a remarkable example of Oliver Clare's skill in botanical still life, offering viewers a glimpse into the delicate and enchanting world of Victorian floral art.
- Creator:Oliver Clare (1853 - 1927, British)
- Creation Year:Circa 1880
- Dimensions:Height: 16 in (40.64 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Both paintings are in good original condition and have no restoration.
- Gallery Location:Woodbury, CT
- Reference Number:1stDibs: LU507315277092
Oliver Clare
Oliver Clare was born in 1853, to the renowned still-life artist George Clare. The Clare family members were Victorian artists who specialized in, and were well known for their highly finished and precisely detailed still life and flower paintings. Oliver spent most of his artistic life in Birmingham. Though there are no records indicating where he received his training, one can be quite certain that most, if not all, of it was from his father. Their stippling technique and choice of subject matter are almost identical. While Oliver lived in Birmingham he was commissioned by a local health firm "Health Food Stores" to paint still-lives to be reproduced on postcards and posters. Clare exhibited many paintings throughout his lifetime and is most often associated with the Artists of the West Midlands and the North. He exhibited: eighteen works at the Royal Society of Artists, Birmingham; three at the Walker Art Gallery, Liverpool and six at the Manchester City Art Gallery. Throughout the late 1870's and early 1880's he lived in London where he exhibited several works there at the Royal Academy and the Royal Society of British Artists, Suffolk Street.
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