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Otto Strandman
Tree Branch With Apples, Watercolor, 1895

1895

About the Item

A Branch with Apples, watercolor and gouache on paper by Swedish artist Otto Strandman (1871–1960). The composition features a delicately rendered branch with green and reddish apples, capturing the subtle interplay of light, texture, and natural color variations. The painting is signed and dated with Strandman’s monogram OS interlinked, and SEPT 7, 1895. His expertise as a sculptor is evident in the three-dimensional quality of the apples and leaves, giving the piece a lifelike presence. The work exemplifies his skill in both painting and observation, showcasing his deep understanding of form and nature. Otto Strandman (1871–1960) – Swedish Painter and Sculptor Otto Strandman was a versatile Swedish artist, renowned for his achievements in both painting and sculpture. He received his artistic education at the College of Design and Crafts in Gothenburg before continuing at the Royal Academy of Fine Arts in Stockholm from 1891 to 1895. In the same year, he was awarded the prestigious King’s Medal. Seeking further artistic development, he later studied in Germany, Italy, and Paris in 1899, immersing himself in various artistic traditions. Though primarily recognized as a sculptor, Strandman also excelled in painting. He worked in oil and watercolor, producing portraits, landscapes, animal studies, and still lifes. His knowledge of sculpture provided a unique dimensionality to his painted subjects, as seen in our Branch with Apples, where the fruits and foliage appear almost tangible. Beyond painting, Strandman created reliefs, busts, and numerous small-scale decorative artworks, hand mirrors, goblets, and jewelry in precious metals. His artistic versatility extended to teaching—he worked as an instructor at the Royal Institute of Technology in Stockholm in 1907 and became a member of the Royal Academy of Fine Arts in 1915. In 1914, he held a major exhibition in Stockholm, presenting his sculptures, paintings, and drawings. One of his most notable public works is the bronze bust of Gustav II Adolf, which was unveiled by Crown Prince Gustaf Adolf in 1924 in Umeå. Strandman’s works are housed in prestigious collections, including the National Museum and the Royal Library in Stockholm, as well as the Trelleborg Museum, Norrköping Art Museum, and Västerås Art Museum. Throughout art history, the apple has carried deep symbolic meanings—representing knowledge, temptation, immortality, love, and beauty. In A Branch with Apples, Strandman captures these themes, elevating a simple subject into a timeless and evocative work of art. A beautifully painted branch with green and reddish apples by Otto Strandman (1871-1960). Signed with monogram 'OS' and dated '7 SEPT. 1895'. Watercolor and gouache on paper. Otto Strandman received his education at the The College of Design and Crafts school in Gothenburg and the Royal Art Academy in Stockholm 1891–1895, and then in Germany, Italy and Paris in 1899. He won the King's Medal in 1895. In 1907 he worked as an extra teacher at the Royal Technical University in Stockholm and in 1915 he became a member of the Royal Academy of Fine Arts. Mostly he became known as a skilled sculptor. He created reliefs, as well as many small sculptures and art-industrial objects such as electric lamps, hand mirrors, goblets and jewelry in precious metals. He has also painted in oil and watercolor, portraits, animal studies, landscapes and floral still lifes. With the knowledge as a sculptor, he could give that extra dimension to a subject on painted surface as in the present watercolor of a branch with apples. In 1914, he exhibited all his sculptures, paintings and drawings in Stockholm. His bust of Gustav II Adolf in Umeå was unveiled by Crown Prince Gustaf Adolf in 1924. Strandman is represented in several museums, including Trelleborg Museum, Norrköping Art Museum and Västerås Art Museum, as well as in the Royal Library and the National Museum in Stockholm. Popular Christian tradition holds that Adam and Eve ate an apple from the forbidden tree in the Garden of Eden. As a result, the apple became a symbol for knowledge, immortality, temptation, love, beauty, the fall of man and sin.
  • Creator:
    Otto Strandman
  • Creation Year:
    1895
  • Dimensions:
    Height: 15.75 in (40 cm)Width: 11.42 in (29 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Minor discolorations.
  • Gallery Location:
    Stockholm, SE
  • Reference Number:
    1stDibs: LU2608213877372

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