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Georges De Koker (b.1928) - Mid 20th Century Oil, The Letter

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A charming still life study depicting a side table with a vase, a placed satchel, a bottle of whine and an art book on Rosetti. The artist captures this delightful selection of objec...

A charming oil still life study of various items on a table. In the foreground we can see a teacup, wine glass and cheese followed by the darker items like the jug and flowers behind...

This classical still life painting features a carefully arranged composition of objects including a decorative 19th-century tobacco pot, leather-bound books, and a pipe against a mut...

This dynamic painting incorporates a neutral palette and expressive brushstrokes to create a fresh still life scene. In a masterful hand the artist has captured the intricate folds o...

George Weissbort (Belgian / British, 1928 – 2013) A glass of wine in a classical study Signed ‘G Weissbort 62’ (lower right) Oil on board 13 x 21 in. (33 x 53.4 cm.) George Weissbort painted in a figurative classical style going against the grain of the modern abstract living and painting in the Wye...

Still Life is a modern artwork realized by Giordano Becciani in the Mid-20th Century. Mixed colored oil on canvas. Includes frame. The artwork is ...

Still Life is an artwork realized by Ernesto Alcide Campestrini (1897-1983). Oil on Table. cm 50x60; 55 x 66 cm with frame. Hand signed in the lower left margin. Good condition. Alcide Ernesto Campestrini was born in Milan, where the family had moved in 1897. After the first rudiments of art with his father, from 1914 he was a student at the Brera Academy in Milan, under the guidance of Ambrogio Antonio Alciati. In 1919 he resumed his painting studies in Brera, interrupted by enlistment. He concluded them in 1922, the year in which he obtained his teaching qualification. He lived in Milan and in 1923 he exhibited Smiles of other times at the Palazzo della Società per le Belle Arti and Permanent Exhibition: the so-called Brera Biennale, at the following one in 1925, presented with Ultime note and El disperados. In 1926 he exhibited Porta Volta, at the First Art Exhibition of Milanese Artists organized by the Meneghina family, the contemporary Self-Portrait is one of the first works by him that we know so far today. He devoted himself to still life, figure painting and the alpine landscape, the Trentino one in particular, with a technique linked to his father's school and to the late nineteenth-century tradition. He held several personal exhibitions in Milan. The Campestrini family spends their holidays in Valsugana several times, sometimes as guests of Emma Campestrini's relatives. The painter falls in love with Lake Caldonazzo, depicted several times in his canvases, such as in the 1949 painting...

Up for sale this charming Still life oil painting on canvas depicting a warm, intimate scene featuring a violin resting on a rich red cloth, illuminated by the soft glow of a single ...