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LARGE CLASSICAL STILL LIFE OF FLOWERS - GILT FRAMED OIL PAINTING ON CANVAS

Price:$650
$890.37List Price

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Classical Still Life of Flowers Ornate Display Antique Dutch Oil Painting
Located in Cirencester, Gloucestershire
Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...
Category

Late 19th Century Old Masters Still-life Paintings

Materials

Oil, Canvas

Beautiful French Impressionist Signed Oil - The Gardeners Table Still Life
Located in Cirencester, Gloucestershire
Artist/ School: French School, indistinctly signed and dated. Title: The Gardeners Table, beautiful French Impressionist still life flower...
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20th Century Impressionist Still-life Paintings

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Oil, Canvas

French Post Impressionist Signed Oil Flowers in Blue Vase Red Background 1960's
By Josine Vignon
Located in Cirencester, Gloucestershire
Still Life of Flowers by Josine Vignon (French 1922-2022) signed on front and back inscribed verso oil painting on canvas, unframed canvas: 21.5 x 18 inches Colors: Red colors, blu...
Category

Mid-20th Century Post-Impressionist Still-life Paintings

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Canvas, Oil

Mid 20th Century French Signed Oil Beautiful Flowers in Teal Vase Pink Back
Located in Cirencester, Gloucestershire
French School, circa 1950 signed 'Sylvia Gardette' Still Life of Flowers in a teal colored vase against a soft pink background oil on canvas, framed in...
Category

Mid-20th Century Post-Impressionist Still-life Paintings

Materials

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The Artist's Studio Post Impressionist Signed Oil Interior Scene
By Josine Vignon
Located in Cirencester, Gloucestershire
The Artists Studio by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 22 x 18 inches Colors: Red colors, brown, blue, white and o...
Category

Mid-20th Century Post-Impressionist Interior Paintings

Materials

Canvas, Oil

Bright Pink Roses In Blue Vase Post Impressionist Signed Thick Oil Impasto
By Josine Vignon
Located in Cirencester, Gloucestershire
Roses In Vase by Josine Vignon (French 1922-2022) signed on front oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Blue colors, grey, beige, brown and white Very go...
Category

Mid-20th Century Post-Impressionist Still-life Paintings

Materials

Canvas, Oil

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Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
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