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UnknownStill Life with a Cigars, Playing Cards and Delft Plate, Artist 19 - 20 Century19th - 20th Century
19th - 20th Century
$5,032.20
£3,745.45
€4,200
CA$6,892.86
A$7,666.37
CHF 4,003.14
MX$93,291.51
NOK 51,126.18
SEK 47,947.33
DKK 31,973.13
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About the Item
Still Life with a Cigars, Playing Cards and Delft Plate
Artist 19th - 20th century
Influenced by 17th Century
Dutch Still Life Painters
Signature: Not signed
Medium: Aquarelle
Dimensions: Image size 38 x 57 cm, frame size 58,50 x 76 cm
Biography: This watercolour painted by an unknown artist is a still life that reflects the influence of the Dutch Golden Age tradition.
In the Art world, it is generally accepted that still life as a genre developed in The Netherlands in the last quarter of the sixteenth Century. The term ‘still life’ comes from the Dutch word ‘stilleven’, which literally translates as ‘quiet life’ or ‘still’.
The origins of this genre have a lot to do with the religious conditions in The Netherlands at the time. Images of religious subjects were forbidden in the Dutch Protestant Reformed Church.
The stille life genre is also linked and developed by Flemish artists. It shows affluence by depicting a variety of objects, fruit, flowers, and dead game.
Still life paintings became very popular and images showing a skull, an hourglass, a watch, the turned pages of a book or lit candles. They accentuated to emphasise the ephemerality of earthly pleasures and prompted a deeper meditation on the true meaning of life.
- Creation Year:19th - 20th Century
- Dimensions:Height: 23.23 in (59 cm)Width: 29.93 in (76 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting is housed in high quality frame which is in excellent condition. This work is offered in ready to hang gallery condition, having been professionally cleaned and revised.
- Gallery Location:Knokke, BE
- Reference Number:1stDibs: LU2006210878142
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Located in Knokke, BE
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1859 – Antwerp – 1944
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'Still Life with Books'
Signature: signed lower middle left 'F Adriaenssens', on revers signed and placed Antwerp 'F. Adriaenssens Anvers'
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Located in Knokke, BE
David De Noter
Ghent 1818 – 1892 Bologhine
Belgian Painter
'Still Life with a Lapis Lazuli Coloured Flower Vase on a Table'
Signature: signed lower right 'David De Noter'
Medium: oil on panel
Dimensions: image size 35 x 27 cm, frame size 41,5 x 34 cm
Biography: David De Noter was born in Ghent on June 24, 1818, and passed away in Saint Eugène Bologhine, Algiers, on January 21, 1892. He was a renowned Belgian painter, celebrated for his detailed still lifes and interior scenes. Born in Ghent, he was the son of Jan-Baptist De Noter, a draftsman and architect, from whom he received his early artistic training. His mother, Carola Maya, married Jan-Baptist shortly before David’s birth. He had a brother, Michaël, who tragically passed away at a young age (1821-1823), and two sisters, Anne-Marie and Edalie.
In 1840, De Noter moved to Brussels, and five years later, on November 25, 1845, he married Clemence Wauters in Mechelen. Together, they had seven children. His son Raphaël would also become a painter.
By the 1860s, De Noter had relocated to Paris, where it is believed he shared a studio with the well-known art dealer J. Goupil around 1864. In his later years, De Noter and his family moved to Algiers, North Africa, where he contributed a floral still life to the Algiers Museum in 1870. By around 1879, he was living in Le Nador, near Marengo.
David De Noter is primarily celebrated for his exquisite still lifes featuring flowers, vegetables, seafood, game, and fruit. He also painted detailed kitchen and salon interiors, as well as genre scenes, often with a strong focus on still life elements within the broader composition. His style combined meticulous realism with a romantic atmosphere, capturing both the beauty and mood of his subjects.
During his time in Algiers, De Noter began painting local scenes, including views of the Kasbah of Algiers.
Throughout his career, De Noter collaborated with notable artists such as Henri Leys, Guillaume Koller, Louis Tuerlinckx, and Alfred Stevens. His works remain highly valued on the art market today.
His paintings were exhibited in various cities, including Kortrijk, Brussels, Rotterdam, The Hague, and Paris. In 1854, he was awarded a gold medal at an exhibition in Brussels.
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