Vera Indenbaum

'Still Life, Yellow and Blue', Woman Artist, Los Angeles, California Modernist

Signed lower right, 'Millicent Tomkins' for Millicent Hanson Tomkins (American, 1930-2021) and dated 1957. Millicent Tomkins began painting at a young age and, as a child, was award...

Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill...

Signed lower left, 'Davenport' for Jill Davenport (American, 1930-2019) and painted circa 1985; titled, verso, 'Attic Series- Yellow'. Framed dimensions: 28 x 1.5 x 25 inches. Born in Kansas, Jill Davenport moved to California in 1963. A lifelong artist and art enthusiast, she raised a family before focusing, in her early forties, on her vocation as an artist. In 1976, she graduated from Sonoma State University with a Bachelors in Art, subsequently continuing her studies with the California Post-Impressionist, Maury Lapp. During this period, her work was primarily representational and her favored medium was oil. In the late 1980's, however, she became an early exponent of computer-aided design and worked with some of the earliest Mac computers...

Signed lower right, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal ...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

This contemporary, abstracted still life, oil on canvas is by artist Mel Davis. The distinctive contemporary paintings of Mel Davis have been admired by collectors throughout North ...

VIOLA FREY (1933-2004) Rare Yellow Still Life 1966 oil on canvas, signed 'V. Frey' lower right 34 x 44in (86.3 x 111.8cm) Provenance- The Nevica Project, Ch...

WHITE, YELLOW, BLUE, BLACK Size: 29 x 51 cm (including frame) Oil on board A striking contemporary abstract still life composition that celebrates the beauty and simplicity of every...