
Still Life, 20th Century Oil
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William Francis Vere Kebbell Still Life, 20th Century Oil
$4,064.57List Price
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Located in London, GB
Gaspar Peeter Verbruggen
1664-1730
Still Life of Fruit in a Wicker Basket with Bird
Oil on oak panel
Image size: 8 1/4 x 7 1/2 inches (21 x 19 cm)
Contemporary Dutch ebonised style f...
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Oak, Oil, Panel
Bird's Nest, Victorian 19th Century Royal Academy Oil
By William Henry Hunt
Located in London, GB
William Henry Hunt
1790 - 1864
Bird's Nest
Oil on canvas
Image size: 11½ x 8⅜ inches
William Henry Hunt was a painter and watercolourist of fruit and flowers, landscapes and rust...
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19th Century Victorian Still-life Paintings
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Summer Flowers 20th Century Modern British
By Gordon Scott
Located in London, GB
Gordon Scott ARCA
1914 - 2016
Summer Flowers
Oil on canvas, signed lower left
Image size: 23.5 x 20 inches
Contemporary style frame
Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, Alan Sorrell and Charles Mahoney. In 1938 he was awarded a Travelling Scholarship by the R.C.A. for painting. A reserved and highly principled man, during WWII he was a conscientious objector, stationed at Bulford Camp on Salisbury Plain. His defined role there is unknown, but during his time there he produced a number of sketches and paintings of soldiers and other personnel who passed through the camp.
In 1946 Joseph Dixon...
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Located in London, GB
Oil and Polyviny on board, signed on reverse
Image size: 15 1/2 x 11 3/4 inches (39.5 x 30 cm)
Original frame
Exhibited
Pictures for Scottish Schools, 1967
Elspeth Spottiswood
Bo...
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By Emma Fordyce MacRae
Located in London, GB
Oil on board, signed top left
Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm)
Bespoke gilt cased frame
Provenance
By descent from the estate of the artist
Emma Fordyce MacRae
Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat.
MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses.
MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists.
Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums.
MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category
20th Century American Modern Still-life Paintings
Materials
Oil, Board
Yellow Roses in Hopi Pot, American 20th Century Female Artist
By Emma Fordyce MacRae
Located in London, GB
Oil on board
Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm)
Framed
Provenance
By descent from the estate of the artist
Emma Fordyce MacRae
Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat.
MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses.
MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists.
Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums.
MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category
20th Century American Modern Still-life Paintings
Materials
Oil, Board
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