Yuko Montgomery

The Steel Claw, Painting, Oil on Canvas

2020

100% Handmade Original Oil Painting © 2023 Albert Kechyan. All rights reserved :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed...

This painting is composed with colorful Tootsie Roll lollipops in a glass canisters. The studio lighting is set up to create wonderful shadows cast onto the surfaces. An interesting ...

This series painting displays objects relating to the calendar month. The cold, winter's of January in this fine art reflect a bird on the calendar photo, a bright red pomagranate an...

Candy-canes in a blue vase on a yellow background Several layers of paint Hanging hardware is provided :: Painting :: Photorealism :: This piece comes with an official certificate ...

Adorable dinghies awaiting their chance at some action, bobbiing up and down, stirring up the waters below. Verging on popart, this contemporary, original oil painting is a joy to b...

Drawn to art since childhood, Jose Antonio Fuentes began his artistic career at a young age in the 1960s. At nine years old the Spanish born artist sold drawings to his neighbors and exchanged paintings for gifts with his classmates. An academically gifted student, he ranked higher than his peers and joined older classmates to enter the baccalaureate program at the age of ten. There he completed additional advanced arts courses. In 1970 Fuentes featured in his first group exhibitions in local and provincial cultural centers. Unfortunately, his academic and artistic career was truncated when his father abruptly left his family, leaving the family in financial difficulty. At the age of fourteen, Fuentes was forced to leave school to begin working and support his family. After years of both working and saving money, in 1978 Fuentes garnered enough savings to enroll in school at La Marina in Spain, where he was first in his class. Whenever circumstances allowed he continued to draw and paint, participate in art contests, and visit all nearby museums and artists' workshops. Fuentes strongly believes that observing other cultures, landscapes, and people is vital to a painter’s understanding of how to portray the world. In the early 1980s Fuentes married and began a family. The domestic and financial obligations to his young family prevented the free time necessary to continue painting. Fuentes notes that the postponement of his artistic career to raise his family is never a source of regret as there is nothing more fulfilling than to see his children grow. As his children grew older in age and required less of Fuentes’s time in the 1990s, he was able to travel more extensively and resumed his cultural tours. He visited cities in Spain such as Madrid, Barcelona, Seville, and Bilbao, and spend countless hours in acclaimed museums and cultural centers including El Prado, Thyssen, Conde Duque, the Sorolla Museum, the Guggenheim Museum in Bilbao, the Picasso museum, the Joan Miro Foundation, and the Tapies Foundation in Barcelona. He also extensively attended exhibition openings, artist talks, conferences and workshops where he learns from masters of realism including Toral, Naranjo, Antonio Lopez, Munoz Vera, Macarron, Leon Olmo, Claudio Bravo, Lapayese, Perez Villalta...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...