Early 1900s Art

Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 PLACE CLICHY signed "E. L Garrido" (lower right) oil on canvas 24-1/8 x 19-3/4 inches (61 x 50 cm.) framed: 33-1/4 x 28-7/8 inches (84 x 73 cm.) PROVENANCE Private Spanish Collector Fresh and bright view of Clichy Square, Paris, where Leon Garrido offers us his most impressionistic and innovative technique. The work has a pyramidal composition, from where monument to "Mariscal Moncey" on an 8 meter high pedestal and decorated with bas-reliefs that dominates the entire square. The florist occupies a central place, from which distinguished figures appear around her. Its delicate and smooth chromaticism in gray and pearly dark almost black and a touch of red. Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

The Louvre and the Pont Des Arts. Oil on panel signed and dated (19)04. Signature to be identified. Good condition. 23.5 x 33 cm.

This lovely large Victorian landscape oil painting is by noted British artist Daniel Sherrin. Painted circa 1900 the painting is entitled Close of Day. The composition details a land...

The turn of the 20th century, known as the Belle Époque, was a period of cultural and artistic flourishing in Europe, particularly in France. Among the many artists who captured the ...

"The Song" by Félix Charpentier (1858-1924) A very fine bronze sculpture with nuanced dark brown patina Signed "Fx. Charpentier" Cast by "E. Colin & Cie Paris" France around 1900 he...

Image dimensions: 27.4x20 cm. Sunlight Sapone is an amazing colored lithograph on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944). Printed by Officine Ricordi, Milan in 19o0, the advertising manifesto for "Sunlight Sapone" ( Sunlight Soap) representing two women washing their clothes, is inspired by the Art Nouveau graphics taste. Indeed Metlicovitz, through the Ricordi, realized much advertising posters and manifestoes for many emerging companies such as Pirelli, Ettore Moretti, Magazzini Mele in Naples, relied with his talented pencil. The atmosphere is that of the Liberty, where the sensuality of the female body appears flat and emptied and turns into a mere twisted black contoruring graphic line. The colors are enameled, the languid glances, the fixed smiles, veined by an almost imperceptible underground decadence that is a prelude to the First World War. This is a wonderful vintage advertising poster, with the inscriptions printed on lower margin, under the image: "L. Metlicovitz / Off. G. Ricordi and C. Milano / 100 x 200. In excellent conditions. This modern original poster shows the vintage Art Nouveau taste and the Metlicovitz's full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful and fashionable piece for your sophisticated home furniture. Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art. He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...

Lionne à l'affût is a wonderful etching on cream-colored laid paper, realized in 1900 by Evert Van Muyden (1853-1922). Signed and dated on plate on the lower left margin, this beaut...

FREDERICK CAYLEY ROBINSON, ARA, RWS (1862-1927) A Summer Evening Signed l.r.: CAYLEY-ROBINSON; inscribed on the reverse: A Summer Evening/Exhibited at Leicester Galleries Oil on paper 16.5 by 18.5 cm., 6 ½ by 7 ¼ in. (frame size 38.5 by 40 cm., 15 ¼ by 15 ¾ in.) Exhibited: London, Leicester Galleries, Small Paintings and Sketches by the Late F. Cayley Robinson, ARA, RWS, December 1929 Born in Brentford-on-Thames, the son of a stockbroker, Robinson began his artistic training at the St John’s Wood...

Nature unveiling in front of Science by Louis-Ernest BARRIAS (1841-1905) Bronze sculpture with triple patina, old-gilt, light brown and dark brown patina. Signed on the side of the...

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with cast naturalistic plinth mounted on a wh...

Seascape, 19th Century attributed to William Page Atkinson WELLS (1872-1923) 19th century English Seascape, oil on canvas attributed to W...

Image dimensions: 26x18.8 cm. Superator is an amazing colored lithograph on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) and printed in 1914 by G. Ricordi and C. Milano, Milan. This is a wonderful vintage Art Nouveau advertising poster for the "Superator, stufa a gas d'alcool, Distillerie italiane Milano, Via Torino 51 - Via S. Vito 41", representing the gas stove to published. inscriptions printed on lower margin, under the image: "L. Metlicovitz / Off. G. Ricordi and C. Milano / 100 x 140". In excellent conditions, as good as new. This modern original poster shows the vintage Art Nouveau taste and Metlicovitz's full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful and fashionable piece for your sophisticated home furniture. Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art. He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...

Art nouveau style poster from the beginning of the 20th century presenting Le Bruyant Alexandre in his realistic cabaret printed by the Thill printing ho...

Impressionist garden landscape oil on panel painting circa 1902 by French painter Marie Duhem. The work depicts a white ornate planter in the centre of ...

Robert Boullier's 1905 poster for the Chemins de fer de l'Ouest invites travelers on a captivating journey. This vintage masterpiece beckons explorers to d...

Oil Painting by Lewis George Fry "A Sunny Farm" by 1860 - 1933 Hampstead painter of Landscapes who moved to live in Limpsfield 1900. He exhibited at the Royal Academy NEAC and Royal ...

Image dimensions: 15.3x26.5 cm. La Sera is an amazing colored lithograph on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) and printed around 1900 by G. Ricordi and C. Milano, Milan. Monogrammed on plate on the right margin at the center. A fashionable vintage Art Nouveau advertising poster of the Italian magazine "La Sera" in excellent condition except for two abrasions of the paper on the lower corners of the sheet and a minor rip on the higher left margin. These defetcs do not affect the image. This Modern original poster shows the Metlicovitz's full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful piece for your sophisticated home furniture. Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art. He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Beautiful advertising poster of the beginning of the XXth century and of Art Nouveau style, signed P. F. Grignon. It is an advertisement for the brand A. A. Tunmer & Co and its vario...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

Johan (John Kindborg) (1861-1907) Sweden Nordic Winter Twilight, 1901 oil on canvas signed and dated Kindborg 01. unframed: 48.5 x 33 cm (19 1/8 x 13 in) framed: 58 x 43 cm (22 7/8...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

This superb British Impressionist portrait oil painting is by noted female artist Florence Kate Upton. Born in America to English parents, Upton visited Britain with her family aged 20 and remained here to further her art career. Although a children's book illustrator, Upton was first a painter and exhibited at the Paris Salon and the Royal Academy. This lovely portrait, painted circa 1900, is a half length profile view of a lady in a black dress with gold front panel. A vibrant peacock blue shawl is across her arm and the background is a rich plum coloured drape. She has a black and silver choker...

Painter, draughtsman and poster artist, Louis Abel-Truchet (1857-1918) is, along with Henri de Toulouse-Lautrec, one of the most famous representatives of Parisian life at the end of...

JOHN DA COSTA (1867-1931) Lillie, the Artist’s Wife Signed l.l. Coloured chalks on tinted paper Framed 61 by 48.5 cm., 24 by 19 in. (frame size 80 by 69 cm., 31 ½ by 27 ¼ in.) Jo...

A tall bud vase with a butterfly by DAUM Beautiful tall long-neck vase decorated with roses, a butterfly and cabochons blown-molded glass with an acid-etched decor decor painted wit...

Signed and dated figure in landscape oil on board by French impressionist painter Charles Lacoste. A truly stunning piece with depicts a nighttime view of a Parisian street with a single woman dressed in a black coat and hat standing in the centre of of dark square which is being dimly lit by the street lights overhead. The outline of trees and the city's buildings can be seen in the distance. Signature: Signed and dated 1904 lower right. Dimensions: Framed: 24.5"x31" Unframed: 18.5"x25" Provenance: Wildenstein & Co - New York "Charles Lacoste: A Forgotten Nabi" 2002 This work is accompanied by the catalogue published to accompany the exhibition “Charles Lacoste: A Forgotten Nabi” held at Wildenstein in New York from January 30 to March 2, 2002 The son of a Bordeaux accountant and a creole mother, he met in high school the future poet Francis Jammes and Gabriel Frizeau the legendary art collector. He taught himself to paint and from 1894 to 1897 he made several important contacts: André Gide, Arthur Fontaine...

ROBERT WALKER MACBETH (British 1848-1910) After GEORGE FREDERIC WATTS (British 1817-1904) A Greek Idyll Proof etching Signed in pencil by both the artist l.l. and engraver l.r. Framed Plate size 42 by 54 cm., 16 ½ by 21 ¼ in. (frame size 72.5 by 85 cm., 28 ½ by 33 ½ in.) After Watt’s 1894 painting...

Wonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...

Originaire du Havre, Maurice Courant est un artiste spécialisé dans les marines. Comme son cousin Lucien Gros, il étudie dans l’atelier d’Ernest Meissonnier et s’installe au Clos de ...

Como pueden apreciar, la obra va firmada por el artista en la parte inferior (A.GROSZ) Se presenta enmarcada la obra (el marco presenta algunas faltas) El estado de la obra es buen...

"Beautiful And Large Oil On Canvas Impressionist Nude Signed V Regnart" Victor Regnart is a Belgian painter and engraver born January 26, 1886 in Élouge...

Oil painting on panel portrait of a lady by Harry Humphrey MOORE Harry Humphrey Moore ( 1844, New York City - 1926, Paris) was an American painter; best known for his works depicti...

Signature bottom left - Edvard Alexander (Alexis) Ankarcrona (1825 - 1901), was a Swedish painter and military (this is one of the last works of the artist!). This artwork perfectly ...

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Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

MODEST URGELL Spanish, 1839 - 1919 CATALONIA LANDSCAPE signed “Urgell” (lower left) oil on canvas 27-1/4 x 51-1/4 in. (69 x 130 cm.) framed: 31-1/4 x 55-...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

JAMES JOSHUA GUTHRIE (1874-1952) The Sower Signed with monogram l.r., inscribed with title l.c. Watercolour, bodycolour and pen and ink 21 by 15.5 cm., 8 ¼ by 6 in. (frame size 39.5 by 33 cm., 15 ½ by 13 in. Provenanace: Pickford Waller...

Poule cayenne - Poule faisanne, 1st proof, 1906 Bronze with a black patina 28 x 22 13 cm Signed on the base : POMPON. Seal of the founder Cire Perdue A.A. Hebrard. Numbered (M) Certi...

French southern seascape oil painting on canvas By Michel Richard Putz Bio : Michel Richard-Putz was born in Ichitem, Belgium in 1868. He moved to Paris in the 1880's where he stud...

La Posada by François-Rupert CARABIN (1862-1932) A bronze group with a silvered patina Signed on the base "R. Carabin" Old cast Numbered "5" France circa 1901 height 24 cm length ...

Georges VILLAIN (1854, Paris – 1930) Washerwomen on the beach at Étretat Oil on canvas H. 51 cm; L. 65 cm Signed lower right Around 1900 Son of Eugène Marie François (1821-1897), wh...

Miniature with Landscape by DAUM Miniature in the shape of a tub with landscape decoration Blown-molded glass Frosted background Decor painted in enamel, gilding Mint condition Gi...

Wilhem van Gloeden ( 1856-1931 ) " la beauté de l'innocence " Le célèbre Baron Wilhem van Gloeden nous a laissé des beautés intemporelles sur ces papiers à l'albumine , sépia du XI...

Vase de fleurs by Paul Ranson (1864-1909) Pastel on paper 46.5 x 41.5 cm (18 ¹/₄ x 16 ³/₈ inches) Signed lower right, P. Ranson Executed circa 1900 Proven...

MAXWELL ARMFIELD, RWS. (1882-1972) Siegfried Signed, inscribed and dated l.c.: MAXWELL ARMFIELD/MDCCCCIV [1904] PARIS;SIEGFRIED/ACT III Pencil and watercolour Framed 24 by 16 cm., 9 ½ by 6 ¼ in. (frame size 42.5 by 34.5 cm., 16 ¾ by 13 ½ in.) Provenance: Fine Art Society, London, 1979. Born at Ringwood, Hampshire, of Quaker parents, his father being a milling engineer, Armfield studied at the Birmingham School of Art under Arthur Gaskin and Joseph Southall who taught him the tempera technique he was to practice for the rest of his life. In September 1902, after visiting Italy at the suggestion of Gaskin, he went to Paris, enrolling at the Academie de la Grande Chaumiere and sharing a studio with three other students – Norman Wilkinson (also from Birmingham), Keith Henderson and the sculptor Gaston Lachaise. Returning to London the following year, he embarked on the series of one-man exhibitions that were henceforth to mark his career, showing first at Robert Ross...

Study of a Dancer and a Lady by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 21 x 15.7 cm (8 ¼ x 6 ¼ inches) Signed with Estate stamp lower right Executed circa ...

"Dancer with platform shoes" by Agathon LÉONARD (1841–1923) Sculpture made in gilded bronze Signed on the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) Stamped w...

Black Elvis Portrait of the famous singer Elvis Presley Technique: oil, acrylics and ink on canvas 73x60cm ■■ 28,7x23,6inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed ...

Summer in La Baule 12 - Sunny Indifference Scene: Women enjoying sunbathing in La Baule ⭐Figures⭐: Each of the four women is uniquely styled, showcasing a mix of retro and modern ...

A wonderful oil on canvas circa 1908 by French post impressionist painter Henri Liénard de Saint-Délis depicting a boat docked at the harbour in the harb...

DANNENBERG Alice (1861-NC) "Children playing at the Luxembourg garden (Paris)" Oil on canvas signed low right Gault frame gilded with gold leaves Dim canvas : 50 X 61 cm Dim frame : ...

Lake Aiguebelette. Watercolor located, dedicated, signed and dated 1909. Signature to decipher. Paper laminated on cardboard. Good condition. 36 x 53 cm.

Portrait PS 126 De Guerres lasses Portrait of a woman with blue and yellow hair with a crown of flowers. Technique: oil, acrylics, spray paint and ink on canvas 70x50cm ■■ 27.6x19...

John Dalziel Kenworthy portrait of a gentleman . Fine, large and imposing oil on canvas housed in a gilt frame. The sitter is unidentified, he has an aristocratic and characterful lo...

A beautiful signed and dated 1906 oil on panel depicting a sunset river landscape by the important Modern British artist Bernard Sickert. The work is in superb original condition and...