21st Century and Contemporary Abstract Photography

'It's In The Trees I' by Stuart Möller Abstract capture of a trees in a wood.Abstract landscape. An exquisite Limited Edition Archival Pigment Print. Edition Size 3 only this siz...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

"White Sands" In this award-winning image, the delicate contours and the organic shapes of two sand dunes are featured. The print series Dunes: Landscapes Evolving documents the ...

"White Sands" In this award-winning image, the delicate contours and the organic shapes of two sand dunes are featured. The print series Dunes: Landscapes Evolving documents the ...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

Unsigned Six panel collage, with each panel (image measures 2 1/2" square) Provenance: Estate of the artist Collage image size: 8 3/8 x 8 3/8" Peter Marks (1935 -2010) Peter Marks ...

Abstract photography, signed by the author.

All photographs are an edition 1 of 1 + 1 Artist Proof. Spencer Sloan is a mixed-media artist whose recent work is a beautifully bold and abstracted paparazzi photograph of actress, Emma Roberts...

Abstract photography, signed by the author, limited 5.

from a Miami art collective. this piece was an experimental collaboration.

Katie Hallam Gears Digital photograph Limited Edition Photograph on Alluminium Size: H 60cm x W 95cm x D 1cm Sold Unframed For all the sport enthusiasts out there, this high-en...

Detail From: The Saints Laurentius and Catherine, Giovanni Gaddi, 1380 painting Berlin Painting Gallery 2008 Two editions available. This 2008 conceptual photograph by German photo...

Mitchell Funk takes skyscraper photography to new heights in his current exhibition: Mitchell Funk Photographs the Chrysler Building for 50 Years. The present work reimagines the m...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

"Fat Tuesday - 2" Is a beautiful original edited photography print, done on archival photo canvas. Created in 2016, this piece features a landscape shot of a willow tree resting abov...

BIG DOT, photography, signed by the author.

Photography on paper

Yellow Flower (The Last Picture Show) - 2005 128x125cm, Edition of 5, analog C-Print, based on the Polaroid, hand-printed by the artist on Fuji Crystal Archive Paper. (matte) Ar...

The Limited Edition is offered as a signed and numbered edition of 45. Housed in a clamshell box with book well and elegant ribbon pull, it is accompanied by an inner folio with a signed and numbered 14"x11" photograph made by the artist. The archival pigment print of "Sponge Bob...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Alessandro Puccinelli Mare #341, 2015 Seascape - From the Mare series - Framed 32 x 32 inches Edition of 7 40 x 40 inches Edition of 5 Archival Pigment Print Mare. Power, Harmon...

Three Dreams - Still Life Black and White Photographic Print Framed by Austrian Contemporary Photographer, Designer & Curator Pia Clodi This photograph is offered in the form of a l...

Jeff Robb is a British artist, who graduated with Distinction from the Royal College of Art in 1992 with a master's degree in fine art Holography. Shortly after graduating, he was in...

Katie Hallam Red Sea Digital Photograph A dramatic view of the oceans surface creating warmth and heat from a beautiful sunset. This direct photographic prin...

This piece offers a whimsical twist on the iconic California palm trees, transforming their towering tops into vibrant red roses. From above, the view is grand and portentous, with t...

An original Aluminum backed C-print by Roland Richer created in 2001. The work was acquired from Von Lintel Gallery in May of 2002. (71 x 49 1/4 inches)

Print, limited edition of 15. Signed by the author.

This is a one of a kind color photographic print in framed glass by southern Californian artist Lee Sie. Its size is 24" x 36" x 0.5"(HxWxD). It is already framed. A certificate of a...

“No Focus, No Object” L1 Creator: Hatice Besun Creation year: 2021 Dimension: 24 x 24” External Dimension( with white border) : 24.8 x 24.8” Condition: New Certified In Edition of ...

“No Focus, No Object” L1 Creator: Hatice Besun Creation year: 2021 Dimension: 40 x 40” External Dimension( with white border) : 40.8 x 40.8” Condition: New Certified In Edition of ...

Print, limited edition of 15. Photographed in Bratislava a detail of a technical building-architect Jurkovic. Signed by the author.

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

An angled swath of black, burnt umber and gold below a sky streaked with azure, dark and light blues is imprinted with two straight dark lines. This abstracted landscape, captured using time lapse...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, and a versatile photograph...

From the series Floating World

Abstract landscape color photograph of clouds and sky on 3 panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches...

Abstracted landscape sepia toned photograph of clouds and sky on 3 panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 3...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

"Removal of Self #70" Photography 22" x 14.5" inch Edition 1/1 by Ben Cope Medium: Photo on deconstructed paper Ben Cope is a Georgia native graduating from Columbus State Univers...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

"Dancing Buddha" Abstract Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate...

Mohamad does not use titles for his photographs. Such naming or framing can constrain or shape a viewer’s engagement with an image. Without such titles, his imagery conjures imagi...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

digitally altered abstract photography.

20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...

Adagio 3 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). Signed + numbered by artist, with cert...

Picture done during a city walk, evoking intensity, could be interesting in a modern interior. This one is framed. Limited edition of 50.

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

"Lana Del Rey Leaving a Gas Station in Beverly Hills, 12/19/16" features hues of pink, green, purple and blue. This photograph is an archival inkjet prin...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

‘While you are sleeping’ (Seascape Series) In his seascape works, Sukan manipulates his imagery connected to the constant tensions between the mental grasp of the specificity and rep...

This abstract photograph of industrial wires against a concrete wall by Carleigh Thomas is contemporary and urban. The photograph was taken while the artist was visiting Taiwan. This...

Street Photographer Mithcell Funk captures the Chrysler Building as it stands between two neighbors. Compositional exactitude adds to the overall visual appeal of Funk's formal compo...

Exhibited in Chronos Chrysalis at The Kenneth Paul Lesko Gallery, Cleveland, OH. January 18, 2013-March 9, 2013. Signed by artist in ink lower right, Edition 1 of 5 lower left.

The age-old technique of marbling paper, known as "carta marmorizzata" in Italian, involves floating pigments on a liquid surface and then transferring the design onto paper. Artist Francisco Bianchi captures the beauty and elegance of this art form in his playful large-scale images. Francisco Bianchi, an Italian-born artist, photographer, and printmaker, is a master in the realm of visual arts. Studying in the artistic heart of Italy, Florence, Bianchi embarked on a creative journey deeply rooted in the age-old traditions of Italian arts and crafts...