Peter Marks Art

Multilayer 270 unique abstract photo paper collage (1 of 1) signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, German...

An large abstract mixed media painting by Louis De Mot Bunce (1907-1983). The painting is signed and dated 1969 lower right, with the title "Tablet". Condition is very good indeed, a rare and compelling artwork by one of Oregon's most acclaimed artists. Louis Bunce, a major painter and printmaker beginning in the 1930s, is considered a legend in Oregon modernism. Known for variations of Surrealism and Cubism in the 1930s and 1940s, nature-based adaptations of Abstract Expressionism in the 1950s and 1960s, and geometric compositions related to Minimalism in the 1970s, he created a body of work that resonates with international modern art. He influenced many artists in the Pacific Northwest, including those who studied with him at the Museum Art School (now Pacific Northwest College of Art), where he taught from 1946 until 1972. Louis Demott Bunce was born in Lander, Wyoming, and moved with his family to Portland in 1920. He studied at the Museum Art School in 1925-1926, befriending fellow student William Givler. Both enrolled at the Art Students League in New York, Bunce studying there during 1927-1931. In Oregon, Bunce participated in the Public Works of Art Project in Portland in 1934, and in 1936 assisted John Ballator in painting murals for the St. Johns Post Office. These were funded by the U.S. Treasury Department, which also commissioned Bunce to paint the mural of Native American life for the Grants Pass Post Office. During the period 1937-1939, he was a teacher and then associate director for the WPA Federal Art Center in Salem, where he collaborated with his students, including Clifford Gleason, in painting murals for Bush Elementary School. He met and married Eda Hult in Salem. In 1940, Bunce returned to New York and worked as a WPA muralist and easel painter until 1942. Living in New York for two extended periods and visiting almost annually for many years thereafter helped him establish links between the art communities in Portland and New York, where he knew Jackson Pollock, Willem de Kooning, Robert Motherwell, Franz Kline, and other key figures in American modernism. During World War II, Bunce worked as illustrator and tool designer for the Oregon Shipbuilding Corporation, and in 1946 William Givler, by then dean of the Museum Art School, hired him as a faculty member. In 1949, Bunce and his wife established the Kharouba Gallery, the first in Portland devoted to showcasing experimental avant-garde art by artists working in Portland and further afield. Bunce’s abstract mural for Portland International Airport created controversy in 1958, when the debate between “modern” and “traditional” artists was at its height in Oregon. Bunce’s figurative Surrealism and Cubism of the 1930s and 1940s gave way to more complete abstraction in his paintings, drawings, serigraphs, and lithographs of the 1950s and on, but references to landscape, human figures, or still life are nearly always present in understated ways. The Oregon coast, Columbia Gorge...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Excitement abounds in this original abstract expressionist marine landscape about the timeless, sinking, celebrated city universally known as Venice! The shades of blue of the sea i...

Contemporary Painting, Street Art, Letter Art-Affirmation Notations A B O U T T H I S P I E C E : “Affirmation Notations” is a piece of graffiti art by Addison Jones featuring her...

Contemporary mixed media, acrylic and tissue paper on canvas by French artist, Georges Fernandes. Monogram signed to the bottom right and signed and dated 2000 to the reverse. Presented in plain wood frame with gold filet. A bold and colourful abstract in blue and gold. Tendrils of blue radiate from a central sphere and work their way across the rich gold textured background. The colour combination gives a richness to the painting, the gold background emphasising the near Yves Klein blue of the tendrils. This collage fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with vivid yet arbitrary colours, reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

Untitled (hot pink curved lines) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Ges...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

"Midcentury Blocks" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print, layers of mulberry papers have been run through an etching pr...

Hallucinate (Herb Induced for Visions) * Inner Exploration * High in Search of Higher Self Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist...

Christopher Tanner Caviar, 2011 Mixed media on handmade paper Framed Dimensions: 75 3/4 x 19 1/2 inches (192.4 x 49.5 cm) 68 1/2 x 13 1/4 inches (...