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David YarrowBlackfeet Nation2023
2023
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About the Item
Blackfeet Nation
Glacier National Park, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 54 inches
56 x 81 inches
"In the 17th century, the Blackfeet settled in the region that is now Montana. Previously, they resided in the woodlands north and west of the Great Lakes, but pressure from British traders pushed them west. They eventually acquired firearms and horses and became a formidable example of the classic Plains Indian culture.
Ravaged by smallpox and constantly struggling with the challenges of extreme winters, low bison numbers and relative isolation, the Blackfeet had great fortitude and are often now referred to as the “Real People” of Montana.
The Blackfeet’s tribal headquarters are in the town of Browning in the extreme North West corner of the state. The celebrated Glacier National Park may sit to the west and with it comes smart resorts like Whitefish, but Browning has little refinement - it is a grim and remote frontier town that is avoided by most travellers. It’s all a bit sketchy up there - especially in the winter.
However, within 20 minutes of Browning, the Blackfeet enjoy some of the most majestic scenery in America, and it was this that drew me to the location. It was always going to be a winter shoot, as the snow added in another character for free.
So in January 2023, we made the road trip north from Bozeman - it’s a long way, and the sense of adventure intensifies towards the Canadian border. This is a remote and isolated corner of America, and relative to other reservations in the US, I sense that filmmakers have had a light footprint around Browning.
The tribal elder, Dutch Lunak and his horse Rain Man make for a powerful combination. The Blackfeet take the greatest joy in celebrating their heritage, and Dutch wears his look well. I wanted a face that conveyed dignity, wisdom and sovereignty, and I think he gave me all three.
On the way home from Browning, Dutch took us to his favorite saloon in the village of Dupuyer (census population 86). Buffalo Joe’s is a gem of an establishment, and quite soon, this picture will be on the wall."
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2023
- Dimensions:Height: 52 in (132.08 cm)Width: 69 in (175.26 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388311560642
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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View AllBlackfeet Nation
By David Yarrow
Located in Chicago, IL
Blackfeet Nation
Glacier National Park, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 54 inches
56 x 81 inches
"In the 17th century, the Blackfeet settled in the region that is now Montana. Previously, they resided in the woodlands north and west of the Great Lakes, but pressure from British traders pushed them west. They eventually acquired firearms and horses and became a formidable example of the classic Plains Indian culture.
Ravaged by smallpox and constantly struggling with the challenges of extreme winters, low bison numbers and relative isolation, the Blackfeet had great fortitude and are often now referred to as the “Real People” of Montana.
The Blackfeet’s tribal headquarters are in the town of Browning in the extreme North West corner of the state. The celebrated Glacier National Park may sit to the west and with it comes smart resorts like Whitefish, but Browning has little refinement - it is a grim and remote frontier town that is avoided by most travellers. It’s all a bit sketchy up there - especially in the winter.
However, within 20 minutes of Browning, the Blackfeet enjoy some of the most majestic scenery in America, and it was this that drew me to the location. It was always going to be a winter shoot, as the snow added in another character for free.
So in January 2023, we made the road trip north from Bozeman - it’s a long way, and the sense of adventure intensifies towards the Canadian border. This is a remote and isolated corner of America, and relative to other reservations in the US, I sense that filmmakers have had a light footprint around Browning.
The tribal elder, Dutch Lunak and his horse Rain Man...
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Price Upon Request
Lakota, Montana by David Yarrow - Contemporary Wildlife Photography
By David Yarrow
Located in Chicago, IL
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Ennis, Montana - 2020
Sizes:
Large - Edition of 12
Unframed 56” x 80”
Framed 71” x 95”
Standard - Edition of 12
Unframed 37” x 53”
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Artist Statement:
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Apache
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Located in Chicago, IL
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Texas, USA - 2021
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
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Category
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Materials
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Price Upon Request
High Noon, Grand Tetons, Wyoming by David Yarrow - Contemporary Photography
By David Yarrow
Located in Chicago, IL
Sizes:
Large
56” x 84”
71” x 99”
Standard
37” x 56”
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Artist Statement:
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Chief
By David Yarrow
Located in Chicago, IL
Chief
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 65 inches
67 x 92 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Over the last few weeks we have quietly been photographing senior American Indians against the backdrop of quintessential and emblematic American vistas.
Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that American Indians have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.
There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion with which we want to fully engage, as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.
The senior Elder of the fabled Lakota tribe is John Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Indian chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.
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Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Archival Pigment
Price Upon Request
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There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.
For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.
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Located in Greenwich, CT
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Large: 71" x 96” Edition of 12
Standard: 52" x 69" Edition of 12
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.
Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.
There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.
For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.
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By David Yarrow
Located in Greenwich, CT
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Large: 71" x 96” Edition of 12
Standard: 52" x 69" Edition of 12
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.
Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.
There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.
For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.
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