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David Yarrow
Dawn Commute

2014

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 73 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have long aspired to capture imagery of big elephant shadows in Sub-Saharan Africa. This is normally only feasible from the air on little bush planes and this practice is both expensive and hardly in keeping with the serenity of the subject matter. The far better alternative is to find vantage points high enough to be able to look down on the land below and perhaps capture shadows from nearby elephants. On the edge of Amboseli National Park there is such a place. The problem then is simply that big shadows are only created for twenty minutes a day and there is absolutely no reason why elephants should choose to be anywhere near the vantage points during the best period for shadows. Amboseli is a 300,000-acre ecosystem, not a zoo. I have been at the top of this hill perhaps twenty-five times at sunrise and finally, during the rainy season in April 2014, the opportunity came my way. The ground below was lush with greenery, but fortunately the elephants were walking in the clear and the shadows were not corrupted. There is a great sense of place in this image – I can understand why some say that it captures the serenity of East Africa at dawn – all that is missing is that musky smell." -David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2014
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 73 in (185.42 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU38832308371

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The Crossing
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Amboseli, Kenya 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 74 inches 67 x 107 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is a simple image – but its vastness lends it a biblical character – therein lies the joy of the dry lake at Amboseli. It is an arid, raw and elemental amphitheater, without equal as a canvas on which to film in Africa. These lake crossings are rarer now as the ecosystem has changed, largely due to the influx of the Maasai and their cattle. The one constant in Africa is that there is never inertia – habitat changes and animal and human behavior changes with it. It is the random walk of life. As a result of the poor accord between cattle and elephants, there are not many cameras that have had this awesome scene in their line of fire over the last three years and I consider myself privileged. Equally, I have put in the time and know the area as well as any film maker. Looking at my notes, I have been on this lake on 47 occasions in the last three years and this is the biggest herd that has crossed during my visits. When our look out scouts saw the opportunity, we reacted very quickly. I don’t think that my guide and friend – Juma Wanyama – has ever driven quicker from base to the lake. I think that big pictures need either transcending content that engages across much of the print, or the use of space to create a distinct sense of place. The Crossing...
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