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David Yarrow
Heaven Can Wait

2014

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Frank Sinatra - I like the way this is sounding Dean!
By Ken Veeder
Located in Chicago, IL
Frank Sinatra listens to playback as he conducts for Dean Martin’s album ‘Sleep Warm’ at Capitol Records Studio A. Circa 1958 (October 13-15, 1958) Capitol Photo Archives. Archiv...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Rag Paper, Archival Ink, Archival Pigment

Gandalf
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 56 x 48 inches 79 x 67 inche...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Gandalf
Price Upon Request
The Garden of Eden
By David Yarrow
Located in Chicago, IL
Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

AFRICA
By David Yarrow
Located in Chicago, IL
Amboseli Kenya, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

AFRICA
Price Upon Request
Freddie Mercury, 1977 - QUEEN
By Michael Brennan
Located in Chicago, IL
British singer Freddie Mercury perform with Queen at their Madison Square Garden debut in New York, USA, February 5, 1977. Available sizes: 17 X 22 inches - $1,700 Edition of 25 16 x 20 inches Edition of 20 20 x 24 inches Edition of 20 30 x 40 inches Edition of 10 About the artist: Award-winning photographer Michael Brennan’s work covers a wide range of historical events, celebrity portraits, candid’s and world famous athletes. After winning the British News Picture of the Year for his coverage of the death of Donald Campbell in 1967, which was featured in Life magazine, he went on to work for several newspapers and covered important news events as well as capturing images of notable names. He was awarded British Photographer of the Year in 1969. His archive includes images of Led Zeppelin, Freddie Mercury, Mick Jagger, President Jimmy Carter, Princess Diana, John Lennon, and sport legends George Best, Pele, George Foreman...
Category

1970s Contemporary Black and White Photography

Materials

Archival Pigment

The Unusual Suspects
By David Yarrow
Located in Chicago, IL
Virginia City, Montana 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 20 Available sizes: 48 x 72 inches 67 x 104 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Of course, we have worked in this room many times before and I know my light, my angles and the minimal depth of focus. We called last year’s photograph of the mountain men at the bar “The Usual Suspects” as that is exactly what they were. Some of those men rarely leave the warmth of The Pioneer Bar in Virginia City throughout winter - in fact they hibernate there. It proved such a popular image and has sold out across the world - in some cases raising huge sums for charity. So, when we went back this year, we thought it would be fun to have an additional crew member - Cindy Crawford. The word juxtaposition is over used in narrative, but I think we can get away with it here. The old boys may drink a bit and smoke a bit of weed, but they were on their very best behaviour that day - which is essentially still medieval. An international icon joining their party was not something they bargained for and at least one cowboy convinced himself it was the weed. We had to call the image “The Unusual Suspects...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

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