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David Yarrow
Homeland, Scotland by David Yarrow - Contemporary Wildlife Photography

2020

About the Item

Homeland (Color) Lochcarron, Scotland 2020 Available sizes: 52 x 66 inches 71 x 93 inches "More often than not, a sense of place is an integral ingredient of a strong contextual photograph. If we can manage that in South Sudan and South Georgia, it should be possible in my home country of Scotland. Whenever I work up here, I am slightly on edge as I feel a little bit more pressure to deliver. This is probably the best photograph I have taken in Scotland (if we exclude the football images of Celtic and Rangers in the 1980s) because it scores highly on both subject and context. If one or other is mediocre there is no image, but in this case, the 14 pointer stag is magnificent and the rest is Scotland as Scots know it and as it is assumed to be by others. Grand, slightly mournful, but at all times unique. I don’t have an issue magnifying nature. The romanticist movement glorified aesthetics and I am of that persuasion. Why dumb things down? Scotland can be bleak and gloomy, but therein lies its beauty. I could not have achieved this frame, high up in the coastal hills of North West Scotland, without considerable local help and I would like to thank Colin Murdoch for his support and counsel. Our team call him “The deer whisperer” and I think that is about right. He is the most cheerful man I know at 5 am in the morning. I think this a deeply emotional image and all the better for it." - David Yarrow Bio: David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In my deliberation over the Pirates in the Caribbean project, there were two overriding personal filters. The first was to avoid being formulaic and the second was my sense that it would be commercial suicide to be too earnest. Pirates are mythological figures and whilst what they did was very serious, I was only too aware of the dangers of us taking ourselves too seriously in any revisionist portrayal. We should have fun; just as Disney did with their blockbuster franchise. The pirates we had assembled in Anguilla looked the part and our giant canvas of the pirate boat offered the best context in the background. The key building blocks were in place on this set, we just needed ‘the x factor’. I played with half a dozen ideas to complete the story in the foreground and there was one concept that seemed to stand out - the arriving pirates must have an encounter. Encounters represent a dilemma for still photographers who can’t do “over the shoulder two takes”. We have the one chance and that tends to mean that we lose one face. But I saw how we could use that to our advantage in that anonymity might work if it told a story. Daniela Braga, the Brazilian Victoria’s Secret model and a sweetheart, was on set with us. She is smart, fun loving and she fully embraced the idea I had in mind. I think the photograph works well. As someone wryly said, those pirates who lost an eye must have been cursing themselves."
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2020
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 66 in (167.64 cm)
  • More Editions & Sizes:
    71 x 114, Edition of 12Price: $30,000
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314600872

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