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David Yarrow
I am King Kong, Nigeria by David Yarrow - Contemporary Portrait Photography

2017

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

I am King Kong Nigeria, 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 47" Framed Size: 52" x 62" Large Image Size: 56" x 72" Framed Size: 71" x 87"
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2017
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 62 in (157.48 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314922602

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A Ship Called Dignity
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Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x 63 inches 67 x 90 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Great photographs implicitly should be rare. They tend to be moments in time that can never be repeated. I have said – on record – that an affirming year for me would be three or more cracking images, but I recognise that this is actually still a demanding target, because for an image to transcend at every level requires a material amount of luck as well as creative courage and technical fluency. I cannot judge my own work but equally I always know what is mundane and I will always remain my greatest critic. Photographers can be reluctant to acknowledge how boring much of their work can be, but this is an area in which I have learnt. In my mind, if a contemporary photograph is sufficiently powerful in content and evocative in light and line to be looked at for a long time, there is a chance that it has something which is art – not reportage. But there is a third variable needed to elevate an image to a higher pantheon – the dynamic of relevance. This is the most elusive of the “Holy Trinity” of factors I strive to attain. Wildlife portraits, for instance, no matter how threatened the animal in question might be to extinction, often fall down on this criterion. Such images can be immersive and visually compelling on the one hand – but lacking in a broader contemporary narrative on the other. Last December, inspired by some aerial footage taken by the renowned Canadian photographer Ed Burtynsky...
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King Kong Volcanoes National Park, Rwanda - 2011 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x...
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