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David Yarrow
Nobody's Trophy, Amboseli, Kenya by David Yarrow - Contemporary Photography

2020

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Nobody's Trophy Amboseli, Kenya - 2020 Available sizes: Standard: 48 x 64 inches Large: 67 x 90 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. Artist Statement: "David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I asked the team in London to find me all post 1945 photographs of elephants together with beautiful women. We knew of course where to start - the celebrated 1955 Richard Avedon shot of Dovima taken in Paris with circus elephants, but then we also found Kate Moss, Christy Turlington with Indian elephants and Doutzen with an African elephant for a Vogue editorial story. Gregory Colbert also did some authentic work in South East Asia. The records show images such as these with truly beautiful and iconic women, but never with an iconic African elephant in the wild. There was always a mismatch with the animal kingdom being less well represented than the human kingdom. I therefore sensed that there was a gap to be filled. Avedon’s photograph from 1955 is iconic and has rare value, but petting elephants that work in circuses does not sit comfortably in a 2020 script. Rightly or wrongly, there is no room for this kind of studio narrative in this era of liberal enlightenment. I am no “woke” but I cannot conceive of creating art with a tame elephant - not after so many years working in Amboseli with the greatest wild elephants in the world. Our investment of time, emotion and money in Amboseli has spanned 10 years, and this was the time to leverage our network in the region. We already had so many constituent parts of a demanding production in place, especially the Maasai team who would search for Craig from 5.30 am on their mopeds and my guide, driver and friend of 10 years - Juma - who knew Craig’s moods better than I appear to know those of my immediate family. It was emboldening also to have the full support of the KWS and its Chief Warden in Amboseli - Daniel Kipkosgei. And so it was, that we persuaded Lorena Rae - the leading German model of her generation, and a regular on the catwalk of the acclaimed Victoria’s Secret shows - to take time out of her busy European schedule and come with her team to the dustbowl of Amboseli. We had five days to try and create something remarkable and we needed all five. So many variables had to work in our favour for my idea to come off and at all times Lorena’s safety was at the forefront of our minds. In the first three days, we got nothing either because Craig was found in dense shrubs or more challengingly, because he was with at least half a dozen other big bulls. The evening after failing twice, I hit a bit of a low and felt vulnerable. If this continued, we could easily fail when we had so many good cards in our hands. Then one glorious morning in late September it all came together. Lorena was up at 4 am for hair and makeup - a little earlier than in previous days as I sensed we were always a little behind where I wanted to be at sunrise as the sun can get harsh past 8 am. By 7am we were at the Maasai meeting point and had found Craig in open land with Kilimanjaro towering above him. He did have two other elephants with him, but they seemed mellow. We both jumped out of the jeep and with the instructions of the local team, I took Lorena to within 15 feet from Craig. I then fell back to get the necessary distance between us for the composition to work. We had to work quickly as to have two people out of the jeep with Craig put added pressure on the rangers. I remember feeling an unprecedented sense of visual overload - after all, in the viewfinder, I had Africa’s tallest mountain, Africa’s most famous big tusker and one of the world’s most stunning women. This was taking the concept of filling the frame to a new level and this was in the wild not a studio. My favourite quote on photography is from Jim Richardson “If you want to be a better photographer, put more interesting stuff in front of the camera”. Well, here you go, Jim! The final vignette is better than Lorena and I could ever have imagined and I think it will stand the test of time. When we looked into the LCD screen on the back of the Nikon D850, we could barely believe our eyes. All credit to her, she looks stunning and emotionally in control, despite what was right behind her." - David Yarrow Bio: David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2020
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 64 in (162.56 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    67" x 90" in, Edition of 12Price: $30,000
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314607042

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