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David Yarrow
Testarossa

2023

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Testarossa Monument Valley, Utah - 2023 LARGE 56” x 65” Unframed 71” x 80” Framed Edition of 12 STANDARD 37” x 43” Unframed 52” x 58” Framed Edition of 12 "We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field. However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump Point in Monument Valley. There are so many people to thank for making the image I had in my head come to reality. Firstly we must thank the Navajo Nation and their elder Don Mose - who looked after us so well and entertained the crew to dinner. We were honoured to be their guests. Brooks Nader is a great friend of the crew and always performs, irrespective of the cold or the long hours on the road. We like good energy and Brooks offers it at a level that is almost indecent. Most of all, however, I would like to thank Joe Lacob for lending me his $60m car as a prop. Joe came down from San Francisco for the shoot with his wife Nicole and they had a blast. To be fair, it was difficult not to. We wish Joe and his Golden State Warriors continued success." -David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2023
  • Dimensions:
    Height: 71 in (180.34 cm)Width: 80 in (203.2 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388313609162

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Testarossa
By David Yarrow
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Testarossa Monument Valley, Utah - 2023 LARGE 56” x 65” Unframed 71” x 80” Framed Edition of 12 STANDARD 37” x 43” Unframed 52” x 58” Framed Edition of 12 "We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field. However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump...
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Ferrari
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Ferrari Amboy, California - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 54 inches 71 X 74 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varni...
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Ferrari
Price Upon Request
Ferrari
By David Yarrow
Located in Chicago, IL
Ferrari Amboy, California - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 54 inches 71 X 74 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varni...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Archival Pigment

Ferrari
Price Upon Request
1953
By David Yarrow
Located in Chicago, IL
1953 Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
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21st Century and Contemporary Contemporary Black and White Photography

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1953
Price Upon Request
1953
By David Yarrow
Located in Chicago, IL
1953 Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Archival Pigment

1953
Price Upon Request
South By Southwest (2023)
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Located in Chicago, IL
South By Southwest (2023) Amboy, California - 2023 Edition Size: 20 + 3 APs Available sizes: 52 X 69 inches 71 X 96 inches All prints are on 315gsm Hahnemühle Photo Rag Bary...
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