Fabrizio La Torre

The Canadian Pacific Train (1956-Canada) Large size Black & White Fine Art Print

1956

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

Artwork sold in perfect condition Coffret Collector # 1 from a limited editon of 5 Each coffret is including 12 Fine Art Limited Edition Prints up to 13 x 19 inches These photos were made in 1955, printed later, the negative was digitized during the artist's lifetime and the technical parameters (framing, contrast, light, etc.) was approved by him. These are very high quality fine art prints on 310 gr/m² with museum quality pigment inks. During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhere he brought back photos that tell of the human, universal and soul-filled condition, to which he was so sensitive. Here is First Look at Canada, where Fabrizio La Torre stayed in November and December 1955, on a 6-month trip to North America which also took him to Canada and California. In Montreal, he could not resist the urge to travel aboard the "Canadian", the most modern and luxurious version of the Canadian Pacific train, inaugurated a few months earlier, on April 24, 1955. And even if the official story of this company claims that as from this inauguration the train was pulled by modern diesel locomotives, the heavy steam engines are still used, to the delight of the photographer who knows how to play with their big white plumes. In stations, on platforms, steam is everywhere; while the temperature is around - 30°C, steam is welcome to thaw the axles, often blocked by ice. 1 – « The Rex Hotel », Toronto, November 1955. A cold, gray day where the snow is not far away, silhouettes of men in hats walking past the Rex Hotel. It has not yet become the legendary venue for all jazz concerts in Toronto. But for its comfortable rooms and its reasonable prices, this is where Fabrizio La Torre chose to stay. 2 – « On Wellington Street », Toronto November 1955. The Gooderham building which remains one of the city symbols today, now surrounded by imposing skyscrapers while back then it was it’s turret that stared at the passer-by and the circulation of all its majesty . 3 – « Pietra e ferro », Stone and iron, Toronto November 1955. In every North American city where he passes, Fabrizio La Torre is struck by the overwhelming mass of buildings and the ubiquity of large cars, which he compares to living rooms. For this former naval officer accustomed to scanning around him with binoculars, the horizon is seems short. And nature is missing too: no tree grow outside the parks where they are confined. 4 – « Billiards », Toronto November 1955. Billiards, shoe shiners, restaurants, there is nothing lacking in the happiness of these gentlemen whose silhouettes in long coats and small hats definitely evoke the atmosphere of American movies of those years. 5 – « La partita di Hockey », Canada November 1955. An improvised hockey game...

Signed on verso in pencil; Artist copyright stamp on verso Gelatin Silver Print Image: 19-3/8 x 15-1/2" inches, Paper: 20 x 16 inches

Available in two sizes. High-end framing on request. Limited edition of 12. Each artwork is done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. "19th century artists often depicted Native Americans as passive contextual narrative in railroad images; they are present but only to frame the story, not make the story. They simply establish the scene. This was my intent one cold February morning at Horseshoe Bend on the famous Durango & Silverton Railroad high in the San Jose Mountains. The Native American is not on the bend to attack, he is there simply to proudly show his presence. It is for the viewer to imagine how the next five minutes unfolded.” – David Yarrow on “The Manifest Destiny...