Harry Benson

Paul 1964

These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that's why these photo...

A collection of photographs taken by a photographer commissioned to document Beatles on their 1964 tour of America is presented in a beautiful large-format style capturing all the gr...

An intimate look at one of the greatest music legends of all time, by an iconic photojournalist. From the delirium of the Beatles’ 1964 U.S. tour to the heady, shaggy days of WINGS in the 1970s and the quiet idyll of life on the family farm in the early 1990s, Paul traces the evolution of a pop superstar and of the man himself through more than 100 photographs, many never seen before. Collector’s Edition (No. 101–700), each numbered and signed by Harry Benson Maybe I’m Amazed A personal portrait of Paul McCartney by Harry Benson Harry Benson began photographing the young Paul McCartney in 1964, a pivotal year for the Beatles when they took America by storm, toured the world, and made their movie debut with A Hard Day’s Night—all documented by the affable Scotsman. And when the Fab Four called it quits, it was Benson who was afforded intimate access to Paul and wife Linda, as Paul forged a new path creatively and personally. Through Benson’s lens, Paul traces the evolution of its namesake as an icon, performer, and a devoted family man. We follow the musician at the height of his fame with the Beatles; in the recording studio with Linda and their band, Wings; with the family; behind the scenes and on stage during the 1975–76 “Wings Over America” tour; dancing the night away at a star-studded party on the Queen Mary to celebrate the band’s newest album; and with Linda on the couple’s farm in the U.K. in the early 1990s—a fittingly soft landing after so many years of flying high. Featuring more than 100 color and black-and-white images by the legendary photojournalist, many never seen before, this collection is a window onto a one-of-a-kind artist, one who has remained somewhat enigmatic despite nearly a lifetime of being in the limelight. Collector’s Edition of 600 copies (No. 101–700), each numbered and signed by Harry Benson The photographer Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE). The editor Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait...

These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that's why these photographs are so important. Harry Benson, 2011 In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from his photo editor of London newspaper The Daily Express. He was now going with the Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life. Benson was warmly welcomed into the Beatles inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the iconic photograph of the Fab Four having a pillow fight at the George V hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on the Ed Sullivan show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of A Hard Day's Night. The relationship continued in 1966, including George's honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon's comment that the Beatles were bigger than Jesus Christ. Benson's luminous black and white photographs show at close quarters the Beatles composing...

Paul McCartney (The Beatles), New York, 1964

Ringo Starr, New York, 1964

John Lennon (The Beatles), New York, 1964

George Harrison (The Beatles), New York, 1964