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Heinrich ZilleNude Studies - Edition griffelkunst1999
1999
$599.07
£445.89
€500
CA$820.58
A$912.66
CHF 476.56
MX$11,106.13
NOK 6,086.45
SEK 5,708.02
DKK 3,806.33
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About the Item
With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was also a passionate photographer was only discovered decades after his death. Unlike the city photographers of his time, Zille was not interested in Berlin's glamorous side. His photographs show the everyday lives of the residents.
Zille's photographs of everyday life appear extremely spontaneous and lively. Many of his motifs anticipate so-called street photography, which reached its first peak in the 1930s with snapshot-like street scenes. However, Zille's photographs remained hidden for a long time. He did not publish a single picture during his lifetime.
This work is from a portfolio of Edition griffelkunst called "Aktstudien" and was printed from the original negative in 1999. The size of the work itself is 22.6 x 17.7 cm, the size of the print is 30.1 x 24 cm.
- Creator:Heinrich Zille (1858 - 1929, German)
- Creation Year:1999
- Dimensions:Height: 8.9 in (22.6 cm)Width: 6.97 in (17.7 cm)Depth: 0.02 in (0.5 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cologne, DE
- Reference Number:1stDibs: LU132213631242
Heinrich Zille
Rudolf Heinrich Zille (10 January 1858 – 9 August 1929) was a German illustrator, caricaturist, lithographer and photographer. He was best known for his humorous drawings, exaggerating stereotypes, mainly from Berlin many of which were published in the German satirical newspaper Simplicissimus. He was the first to portray the desperate social environment of the Berlin Mietskasernen (literally "tenement barracks"), buildings packed with sometimes a dozen persons per room who fled from the rural regions to the expanding industrial metropolis during the Gründerzeit only to find even deeper poverty in the developing proletarian class. His special talent was the scathingly humorous portrayal of what were in reality quite unfunny life conditions of handicapped beggars, tuberculous prostitutes, and menial labourers, and especially their children, making the best they could of life and resolutely refusing to give up.
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