Silver Gelatin Nude Photography
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Medium: Silver Gelatin
Thompson and Brown, Male Nudes Photographed in Studio, Queer Art
Located in New york, NY
A black and white photograph, Thompson and Brown, c. 1980 by George Dureau is a 20" x 16" gelatin silver print, signed and titled recto (front of photo) below the image. Often compar...
Category
1980s Contemporary Silver Gelatin Nude Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
Dancers Legs 62N
Located in Carmel, CA
Printed by Edward Weston's son Cole Weston. Signed and Stamped on Verso. Very good condition.
Category
1930s Silver Gelatin Nude Photography
Materials
Silver Gelatin
"Ballerina" Photography 31"x28" inch Ed. 3/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Ballerina" Photography 31"x28" inch Ed. 3/3 by VLADIMIR CLAVIJO-TELEPNEV
Bromoil gelatin silver print, gold and silver leaf, and hand painted mirror
Artist’s frame signed and dated lower left; author’s certificate of authenticity on the reverse, countersigned, titled and dated on the reverse.
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER GREENAWAY
DMITRY MEDVEDEV
NURSULTAN NAZARBAEV
Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York.
EXHIBITIONS:
2013
Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal;
Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia.
2012
Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK;
Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum;
Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia.
2011
Group exhibition at the ART MOSCOW FAIR.
2010
Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor.
2009
"Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia.
2008
"Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany;
Solo exhibition at the VINZAVOD Exhibition Center.
2007
Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia;
Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center.
2006
Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK;
Solo exhibition at the ESPECRTO Gallery in Krasnodar.
2005
Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris;
personal exhibition at the MILLIONAIRE FAIR, Moscow;
exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn;
personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates;
exhibition at the STUDIO Gallery, Moscow Russia;
exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow;
the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S;
exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France;
2004
Exhibition at the STUDIO Gallery, Moscow, Russia;
Exhibition at the LEAGUE Art Gallery, Kolomna, Russia;
Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia;
Exhibition at the Novosibirsk Art Museum, Russia;
Exhibition at the Benshaeb art gallery, Paris, France;
Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California.
2003
Russian Post Modernism Nostalgia exhibition, New York, U.S;
Exhibition at the LUMIERE, Moscow, Russia;
Exhibition at the Russian Modern History State Central Museum;
A participant at the 40 Views as to the Image of Comme de Garcon art...
Category
21st Century and Contemporary Contemporary Silver Gelatin Nude Photography
Materials
Gold Leaf
"The Evening" Photography 32"x28" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"The Evening" Photography 32"x28" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Bromoil gelatin silver print, gold and silver leaf, and hand painted mirror
Signed and numbered on the b...
Category
21st Century and Contemporary Contemporary Silver Gelatin Nude Photography
Materials
Gold Leaf
"Remembering Frida Kahlo" 26"x21"inch Ed 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Remembering Frida Kahlo" 26"x21"inch Ed 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror)
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER GREENAWAY
DMITRY MEDVEDEV
NURSULTAN NAZARBAEV
Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York.
EXHIBITIONS:
2013
Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal;
Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia.
2012
Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK;
Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum;
Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia.
2011
Group exhibition at the ART MOSCOW FAIR.
2010
Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor.
2009
"Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia.
2008
"Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany;
Solo exhibition at the VINZAVOD Exhibition Center.
2007
Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia;
Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center.
2006
Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK;
Solo exhibition at the ESPECRTO Gallery in Krasnodar.
2005
Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris;
personal exhibition at the MILLIONAIRE FAIR, Moscow;
exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn;
personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates;
exhibition at the STUDIO Gallery, Moscow Russia;
exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow;
the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S;
exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France;
2004
Exhibition at the STUDIO Gallery, Moscow, Russia;
Exhibition at the LEAGUE Art Gallery, Kolomna, Russia;
Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia;
Exhibition at the Novosibirsk Art Museum, Russia;
Exhibition at the Benshaeb art gallery, Paris, France;
Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California.
2003
Russian Post Modernism Nostalgia exhibition, New York, U.S;
Exhibition at the LUMIERE, Moscow, Russia;
Exhibition at the Russian Modern History State Central Museum;
A participant at the 40 Views as to the Image of Comme de Garcon art...
Category
21st Century and Contemporary Contemporary Silver Gelatin Nude Photography
Materials
Gold Leaf
"Sensuality.Twins" Photography 30"x26" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Sensuality.Twins" Photography 30"x26" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror)
Vladimir Cla...
Category
21st Century and Contemporary Contemporary Silver Gelatin Nude Photography
Materials
Gold Leaf
Cyberwoman 5
Located in Norwich, GB
Breaking taboos and documenting and shaping society’s changing attitudes to sex and female empowerment have assured Helmut Newton’s position as one of the world’s most celebrated and...
Category
20th Century Contemporary Silver Gelatin Nude Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
"Wave" Silver Gelatin Photographic Fiber Print Toned with Gold, Figurative
Located in New York, NY
"Wave" Photography, Silver Gelatin Print, Bathed in Gold
Dimensions: Artwork 24 × 20in, Framed 26 x 28in.
This piece is signed on verso, and includes a gallery label, and certificate...
Category
2010s Contemporary Silver Gelatin Nude Photography
Materials
Gold
Jack Mitchell Nude of dancer, 1974
Located in Glenford, NY
Jack Mitchell mid-20th Century beautiful nude photograph of a dancer in 1974. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Copyright 1...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
"Cherry Orchard" 28" x 27" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Cherry Orchard" 28" x 27" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror)
Vladimir Clavijo-Telepne...
Category
21st Century and Contemporary Contemporary Silver Gelatin Nude Photography
Materials
Gold Leaf
Kirk Bond #3267-2
Located in New York, NY
Kirk Bond #3267-2
Stamped and numbered in black ink, verso
Vintage silver print
6.875 x 4.875 inches, sheet
6.5 x 4.5 inches, image
This work is offered b...
Category
1960s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
To Swallow a Photo of Him the Way One Swallows the Eucharist
By Bill Costa
Located in New York, NY
To Swallow a Photo of Him the Way One Swallows the Eucharist
1994/1995
Signed, titled, dated, and numbered in ink, recto
Gelatin silver print (Edition of 5)
16.5 x 11.5 inches (41...
Category
1990s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Doubleend: framed abstract black & white photo collage w/ nude, clock, clouds
By Jenny Lynn
Located in Bryn Mawr, PA
"Doubleend" is a black & white framed silver gelatin collage photograph in a surrealist style with images of nude, clock, clouds, and other abstract elements from artist Jenny Lynn's...
Category
1990s Surrealist Silver Gelatin Nude Photography
Materials
Photographic Paper, Silver Gelatin
Olga and the Cowboys Little Bear Ranch, Montana
By Kurt Markus
Located in Santa Fe, NM
Kurt Markus, Olga and the Cowboys Little Bear Ranch, Montana, 1994. gelatin silver print Signed print recto.
Category
Late 20th Century Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Nude of dancer Zane Wilson, 1972
Located in Glenford, NY
Jack Mitchell mid-20th Century beautiful nude of ballet dancer Zane Wilson in 1972. Zane Wilson was a spectacular principal dancer with the legendar...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Bold Male Nude, 1971
Located in Glenford, NY
Jack Mitchell mid-20th Century bold male nude from 1971. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Copyright 1971 JACK MITCHELL 356 East 74, New York City...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Olga and the Cowboys Little Bear Ranch, Montana
By Kurt Markus
Located in Santa Fe, NM
Kurt Markus, Olga and the Cowboys Little Bear Ranch, Montana, 1994. gelatin silver print Signed print recto.
Category
Late 20th Century Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Reclining Male Nude Study #2, 1970s
Located in Glenford, NY
Jack Mitchell vintage mid-20th Century study of a reclining nude male. Photo taken approximately 1970. Highly collectible original vintage gelatin silver print, stamped on back by th...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Nude of dancer, 1974
Located in Glenford, NY
Jack Mitchell mid-20th Century beautiful nude photograph of a dancer in 1974. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Copyright 1...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Nude Male 1970's
Located in Glenford, NY
Jack Mitchell mid-20th Century beautiful male nude photograph taken in the 1970s. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Photogr...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Reclining Male Nude Study, 1970s
Located in Glenford, NY
Jack Mitchell vintage mid-20th Century study of a reclining nude male. Photo taken approximately 1970. Highly collectible original vintage gelatin silver print, stamped on back by th...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Jack Mitchell Nude of dancer Jeremy Blanton, 1972
Located in Glenford, NY
Jack Mitchell mid-20th Century beautiful nude photograph of ballet and Broadway dancer Jeremy Blanton in 1972. Blanton was a spectacular dancer in numerous international ballet compa...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Calvin Culver (Casey Donovan) Iconic Porn Star- Nude, 1972
Located in Glenford, NY
Jack Mitchell vintage mid-20th Century nude photograph of gay porn star Calvin Culver (porn name Casey Donovan) best know for his lead role in the break throu...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #12 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #12 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Robert La Tourneaux - The Boys in the Band 'Cowboy' - Nude, 1969
Located in Glenford, NY
Jack Mitchell vintage mid-20th Century nude photograph of actor Robert La Tourneaux best know as ‘Cowboy’ in the original Broadway and also the film version of Mart Crowley’s ‘The Boys in the Band...
Category
1960s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #6 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #6 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #10 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #10 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #7 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #7 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and ...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Steven Jan Hoff Nude 1972
Located in Glenford, NY
Jack Mitchell vintage mid-20th Century nude photograph of Dutch dancer Steven Jan Hoff. Copyright Stamped 1972. Photo taken for the iconic 1970's entertainment publication After Dark...
Category
1970s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #8 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #8 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and ...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #3 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #3 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #13 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #13 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #5 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #5 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #11 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #11 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #2 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #2 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and ...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #14 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #14 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #4 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photographs #4 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Charis, Santa Monica
Located in Palm Desert, CA
"Charis, Santa Monica" is a photograph by Edward Weston. It has the artist stamp on verso, “Negative by Edward Weston print by Cole Weston”. The framed photograph measures 15 1/4 x 1...
Category
1930s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Orpheus #1 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes
Located in Glenford, NY
George Platt Lynes 1950 Photograph #1 of Balanchine Ballet ‘Orpheus’.
George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition.
This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime.
Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...
Category
1950s Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Iman Supermodel New York Black Woman Nude
By Bert Stern
Located in Carmel, CA
Rare photograph printed by Bert Stern. Has been framed since purchase. Selling unframed.
Signed and stamped on verso.
Please note picture was taken w...
Category
1980s Silver Gelatin Nude Photography
Materials
Silver Gelatin
Triggered, New York, 1990s Black and White Photograph of Woman Nude in Studio
Located in New york, NY
Triggered, New York, 1994, by Roberta Fineberg is a signed gelatin silver print in an edition of 5 with 2 artist's proofs. Available: 3/5.
This is a 14" x 11" black-and-white photograph of a female nude with face hidden. The title of the photograph references the cable release to the left of the figure. A feminine and statuesque subject shot from the point of view of the female gaze, the photographer RF does not objectify the figure who is comfortable in her skin.
Provenance: RF Archive
***
Artist's Bio:
As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter.
In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop-up group...
Category
1990s Contemporary Silver Gelatin Nude Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
The Remedy, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
The Remedy
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Feminist Silver Gelatin Nude Photography
Materials
Silver Gelatin, Black and White
My Body, My Choice, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
My Body, My Choice
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monog...
Category
2010s Feminist Silver Gelatin Nude Photography
Materials
Black and White, Silver Gelatin
Never Let the Same Snake Bite You Twice, Silver Gelatin Black and White Nude
Located in Los Angeles, CA
Savannah Spirit
Never Let the Same Snake Bite You Twice
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Contemporary Silver Gelatin Nude Photography
Materials
Black and White, Silver Gelatin
Amor De Artuño, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
Amor de Artuño
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Feminist Silver Gelatin Nude Photography
Materials
Black and White, Silver Gelatin
Joe Dallesandro #3082-5
By Bruce of LA
Located in New York, NY
Joe Dallesandro #3082-5
Stamped and numbered in black ink, verso
Vintage silver print
6.875 x 4.875 inches, sheet
6.5 x 4.5 inches, image
This work is offered by CLAMP in New York City.
“Little Joe” Dallesandro was first discovered at the Los Angeles bus station...
Category
1960s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Waiting, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
Waiting
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin, Black and White
Film Strip, Classic Silver Gelatin Black & White Nude Photography
Located in Los Angeles, CA
In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist,...
Category
2010s Conceptual Silver Gelatin Nude Photography
Materials
Silver Gelatin, Black and White
Untitled (Three Nude Men with Vines)
Located in New York, NY
Untitled (Three Nude Men with Rope)
Signed and dated in pencil, verso; Also David Vance studio stamp in red ink, verso
Toned gelatin silver print
16.5 x ...
Category
2010s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Classic Nude Horizontal
By Brett Weston
Located in Carmel, CA
A beautiful study of a woman. Hand printed by Brett Weston, signed in pencil on recto.
Category
1970s Silver Gelatin Nude Photography
Materials
Silver Gelatin
[Nude Male from Behind, with Arms Outstretched]
Located in Boston, MA
With George Platt Lynes stamp verso.
Category
Mid-20th Century American Realist Silver Gelatin Nude Photography
Materials
Silver Gelatin
![[Nude Male from Behind, with Arms Outstretched]](https://a.1stdibscdn.com/george-platt-lynes-photography-nude-male-from-behind-with-arms-outstretched-for-sale/a_3973/a_117199421675885082479/BB6628_01_master.jpg?width=240)
Classic Nude, Studio Nude
By Brett Weston
Located in Carmel, CA
A exquisite classic nude figure study by one of the masters of photography. Mint Condition. Hand printed by Brett Weston.
Category
1970s Silver Gelatin Nude Photography
Materials
Silver Gelatin
Untitled Nude B32
Located in New York, NY
Untitled Nude B32
1993
Signed and dated in black ink, verso; Also titled and numbered in pencil, verso; Also stamped ‘David Seidner’ in black ink, verso...
Category
1990s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Man with Trousers
By Arthur Tress
Located in London, GB
Silver gelatin print, 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount.
Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...
Category
1980s Surrealist Silver Gelatin Nude Photography
Materials
Silver Gelatin
Bowling Fantasy
By Arthur Tress
Located in London, GB
Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount.
Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...
Category
1970s Surrealist Silver Gelatin Nude Photography
Materials
Silver Gelatin
Kirk Bond #3268-4
Located in New York, NY
Kirk Bond #3268-4
Stamped and numbered in black ink, verso
Vintage silver print
6.875 x 4.875 inches, sheet
6.5 x 4.5 inches, image
This work is offered b...
Category
20th Century Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Nude Male Model, Unique Silver Gelatin Print
By Andy Warhol
Located in Cotignac, FR
Unique Silver Gelatin print from circa 1977 by Andy Warhol.
Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used t...
Category
1970s American Modern Silver Gelatin Nude Photography
Materials
Silver Gelatin
Untitled (Alan in the Barn), New Hampshire
Located in New York, NY
Untitled (Alan in the Barn), New Hampshire
1975
Signed, dated, and numbered in pencil, verso
Vintage gelatin silver print
14 x 11 inches, sheet
Edition of 3
20 x 16 inches, sheet...
Category
1970s Contemporary Silver Gelatin Nude Photography
Materials
Silver Gelatin
Silver Gelatin nude photography for sale on 1stDibs.
Find a wide variety of authentic Silver Gelatin nude photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add nude photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of pink, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jack Mitchell, Richard Heeps, John Casado, and Karin Rosenthal. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Silver Gelatin nude photography, so small editions measuring 0.4000000059604645 inches across are also available
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