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Hiroshi Sugimoto
Lightning Fields 227

2009

$22,000List Price

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Corner No. 02 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category

2010s Abstract Black and White Photography

Materials

Platinum

Corner No. 01 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category

2010s Abstract Black and White Photography

Materials

Platinum

Corner No. 03 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018 No.1, No.2, No.3 The origin of “space”  20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category

2010s Abstract Black and White Photography

Materials

Platinum

cave, people, bear face, drawing, brain or homo sapiens saying hi
By Sofia Borges
Located in New York, NY
Sofia Borges cave, people, bear face, drawing, brain or homo sapiens saying hi, 2014 Pigment print on cotton paper mounted on Sintra Edition 1 of 5 + 1 AP Size 1: 47 ¼ x 70 ¾ inches (120 x 179.7 cm) Size 2: 150 x 225 cm Edition of 3 + 1 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Suprematist Dynamism Study
By Jonathan Zimmerman
Located in New York, NY
Suprematist Dynamism Study, 2005 Archival pigment print on heavy rag paper 42 x 63 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engineering but designed...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Pigment

Where Are We Going?
By Jonathan Zimmerman
Located in New York, NY
Where Are We Going?, 2004 Archival pigment print on heavy rag paper 40 x 63 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engineering but designed with f...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Pigment

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