Kenji Aoki

Corner No. 03 at the Guggenheim Museum

2018

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Sofia Borges cave, people, bear face, drawing, brain or homo sapiens saying hi, 2014 Pigment print on cotton paper mounted on Sintra Edition 1 of 5 + 1 AP Size 1: 47 ¼ x 70 ¾ inches (120 x 179.7 cm) Size 2: 150 x 225 cm Edition of 3 + 1 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...

Carbon Cycle Model (Pulse), 2009 chromogenic light jet print , aluminum back mount, acrylic face mount 48.5 x 48.5 inches / 1232 x 1232 mm edition of 3 plus AP available: print 3...

UT-396HZ (Blue), 2017 Archival pigment print on Aluminum 40 x 60 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing col...

Befreiungshalle a Kehlhein Germania, 2005 C print Edition of 5 cm 100X120 120X150 180X225 inch 39.40x47.28 47.28x59.10 70.92x88.65 Massimo Listri is a Florence-based photographer...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

Contemporary abstract black and white photograph In its infancy, an organism is pure and malleable. Maturation inherently means encountering outside influences: environments, shifts,...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...