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Horst P. HorstLisa Fonssagrives-Penn with Harp. Paris, Silver Gelatin print. Printed later.1990- 2010
1990- 2010
About the Item
This artwork presents a mesmerizing interplay between the human form and musical elegance. Lisa Fonssagrives is seated, gracefully woven into the strings of a grand harp. The black-and-white composition highlights the contours and silhouettes, giving the scene a timeless quality. The harp's strings cross the figure, creating a seamless blend that evokes a sense of harmony between music and the human spirit. Lisa pose, contemplative and serene, enhances the artwork’s emotive depth. This piece exemplifies a masterful use of light and shadow, casting an ethereal glow that accentuates the delicate balance between strength and vulnerability. The monochromatic palette reinforces the connection between the subject and the instrument, while the dramatic juxtaposition creates a powerful visual narrative. This intricate fusion of elements invites viewers to explore the symbiotic relationship between art and music.
Lisa F Harp, Paris 1939 (Printer later)
Silver Gelatin Print
Sheet size: 20 W 24 H in.
Image size 16 W x 22 H in.
Engraved signature on front
Hand written, titled, year on verso.
- Creator:Horst P. Horst (1906-1999, German)
- Creation Year:1990- 2010
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:Seller: Around That Time - Portfolio #11stDibs: LU453315253532
Horst P. Horst
Horst P. Horst (born Horst Paul Albert Bohrmann) was one of the towering figures of 20th-century fashion photography.
Best known for his work with Vogue, who called him “photography’s alchemist," Horst rose to prominence in Paris in the interwar years, publishing his first work with the magazine in 1931. In the decades that followed, Horst’s experimentations with radical composition, nudity, double exposures and other avant-garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939).
As the New York Times once described, “Horst tamed the avant-garde to serve fashion.” Though associated most closely with fashion photography, Horst captured portraits of many of the 20th century’s brightest luminaries, dabbling with influences as far-ranging as Surrealism and Romanticism.
“I like taking photographs because I like life,” Horst once said. “And I love photographing people best of all because most of all I love humanity.”
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