Joseph Rodriguez

The morning after a rival gang tried to shoot Chivo for the fourth time

1993

Gelatin silver print (Edition of 10) Signed, dated, numbered, and titled, verso 13 x 11 inches, sheet 7 x 7 inches, image This photograph is offered by ClampArt, located in New Yor...

Chromogenic print Signed, verso 20 x 24 inches, sheet 15 x 22 inches, image This photograph is offered by ClampArt, located in New York City.

Digital C-print Signed and dated on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampArt, ...

Digital C-print Signed and dated on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. “There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz The images and text accompanying Joshua Lutz's series, "Mind the Gap...

"Guns & Drugs 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed....

We like to play war, 1971 Gelatin silver print, 11 x 14 in. Edition of 15 Stamped in ink, signed, numbered, and dated in pencil on verso by Bill Owens Series: Suburbia Bill Owens wa...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...

Lost in each others embrace… James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the moment. The work is available as...