Lucien Clergue

Nimeño II, Nîmes

1980

One of the last photographs taken of Marilyn Monroe, this stunning image from the set of her last film (The Misfits) was taken in 1960 and was printed in 2019. A gelatin silver prin...

Created by Frank Worth in 1953, this absolutely stunning and glamorous image of Marilyn Monroe on the set of How to Marry a Millionaire is a...

A photograph of exquisite composition, Jock Sturges created Maia, Montalivet, France as a gelatin silver print in 1992. The print measures 16 x 20 in. (40.6 x 50.8 cm), unframed, an...

Photographed and printed by William Wegman in 1995, the aptly named "Three for One" is a chromogenic print on photo paper, signed by the photographer, titled, dated and numbered (ver...

Home of Colonel William H. Terrill Roanoke Virginia Original Photograph Home of the Colonel William Terrill (CSA) Roanoke Virginia, original period s...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

A young woman modelling an outfit for a Saks Fifth Avenue catalog shoot, circa 1955. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by ...

Kings Of Hollywood Clark Gable (1901 – 1960), Van Heflin (1910 – 1971), Gary Cooper (1901 – 1961) and James Stewart (1908 – 1997) enjoying a joke at a New Year’s party held at Roma...