Earlie Hudnall Jr.

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr., 1983

1983

Branding, Deep Creek by Adam Jahiel is a 13 x 13 inch silver gelatin print, available in an edition of 50. This photograph is dry mounted onto a 24 x 20 inch mat board. It is signe...

El beso, San Jose, Costa Rica by Mario Algaze depicts a couple kissing on the street. The man and woman embrace each other tightly, framed by the decorative bricks of the building wall. Gelatin Silver Print Signed, titled and dated by Mario Algaze Paper size: 16 x 20 in., Image size: 8 3/4 x 18 3/4 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American...

Signed, titled and dated by Mario Algaze Gelatin silver print, 20 x 16 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin Ame...

Sunrise, YP Ranch by Adam Jahiel is a 13 x 13 inch silver gelatin print, available in an edition of 50. This photograph is dry mounted onto a 24 x 20 inch mat board. This photograp...

Birds, Mexico by George Krause is a 13.5 by 18.75 inch silver gelatin print. This photograph features birds sitting on a fence. The photograph is signed and dated in pencil on print ...

Artillery Barrage, Suez Canal, Yom Kippur War by Micha Bar-Am depicts soldiers amidst a battle. The men are laying on the ground, ducking for cover in the...

Inspired by the geometric paintings by Cuban artist Carmen Herrera and minimalist photography, a rare one of a kind gelatin silver print, toned with sepia/selenium toned and printed by hand in a traditional darkroom using...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Larry Fink (American, born 1941). "Lovers in Doorway" - late 20th century, silver gelatin photograph print, signed "Larry Fink" to lower right and numbered ...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...